‘Еще раз, еще раз’ (‘Once More, Once More’) by Velimir Khlebnikov

Once more, once more,

I am

your star.

Woe to the sailor who takes

a wrong bearing

between his boat and a star.

He will smash against rock

or sandbar.

Woe to you all, who take

a wrong bearing

between your heart and me.

You will smash against rock

and be rock-mocked

as you

once

mocked me.

 

by Велимир Хлебников (Velimir Khlebnikov)

a.k.a. Виктор Владимирович Хлебников

(Viktor Vladimirovich Khlebnikov)

(May 1922)

translated by Robert Chandler


Russian reading of the poem:

Original Russian text:

Еше раз, еще раз,
Я для вас
Звезда.
Горе моряку, взявшему
Неверный угол своей ладьи
И звезды:
Он разобьется о камни,
О подводные мели.
Горе и Вам, взявшим
Неверный угол сердца ко мне:
Вы разобьетесь о камни,
И камни будут надсмехаться
Над Вами,
Как вы надсмехались
Надо мной.
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Shape Ships To Seek by Vladislav Khodasevich

Shape ships to seek some shining shore,

or, if you choose, chirp chants in churches.

But seize your chance – shout one shy cheer,

and shoot up starwards, sharp and sheer…

I shift the chairs – a cheerless chore…

What tosh you chunter in these searches

for shoes and spectacles, to be sure!

 

by Владислав Фелицианович Ходасевич (Vladislav Felitsianovich Khodasevich)

(1922)

translated by Michael Frayn

A Police Station’s A Fine Place by Velimir Khlebnikov

A police station’s a fine place:

it’s where the State and I have trysts.

It’s where the State reminds me

that it still exists.

 

by Велимир Хлебников (Velimir Khlebnikov)

a.k.a. Виктор Владимирович Хлебников

(Viktor Vladimirovich Khlebnikov)

(1922)

translated by Robert Chandler

Lot’s Wife by Anna Akhmatova

And the just man trailed God’s messenger,

His huge, light shape devoured the black hill.

But uneasiness shadowed his wife and spoke to her:

‘it’s not too late, you can look back still

 

At the red towers of Sodom, the place that bore you,

The square in which you sang, the spinning-shed,

At the empty windows of that upper storey

Where children blessed your happy marriage-bed.’

 

Her eyes that were still turning when a bolt

Of pain shot through them, were instantly blind;

Her body turned into transparent salt,

And her swift legs were rooted to the ground.

 

Who mourns one woman in a holocaust?

Surely her death has no significance?

Yet in my heart she never will be lost,

She who gave up her life to steal one glance.

 

– by Анна Ахматова (Anna Akhmatova) (1922-1924)

– from Anno Domini MCMXXI translation by D. M. Thomas

‘Behind The Lake…’ by Anna Akhmatova

Behind the lake the moon’s not stirred

And seems to be a window through

Into a silent, well-lit house,

Where something unpleasant has occurred.

 

Has the master been brought home dead,

The mistress run off with a lover,

Or has a little girl gone missing,

And her shoes found by the creek-bed…

 

We can’t see. But feel some awful thing,

And  we don’t want to talk.

Doleful, the cry of eagle-owls, and hot

In the garden the wind is blustering.

 

– by Анна Ахматова (Anna Akhmatova) (1922)

– from Anno Domini MCMXXI translation by D. M. Thomas

‘To Fall Ill As One Should…’ by Anna Akhmatova

To fall ill as one should, deliriously

Hot, meet everyone again,

To stroll broad avenues in the seashore garden

Full of the wind and the sun.

 

Even the dead, today, have agreed to come,

And the exiles, into my house.

Lead the child to me by the hand.

Long I have missed him.

 

I shall eat blue grapes with those who are dead,

Drink the iced

Wine, and watch the grey waterfall pour

On to the damp flint bed.

 

– by Анна Ахматова (Anna Akhmatova) (1922)

– from Anno Domini MCMXXI translation by D. M. Thomas