Clywedog by Gillian Clarke

The people came out in pairs,

Old, most of them, holding their places

Close till the very last minute,

Even planting the beans as usual

That year, grown at last accustomed

To the pulse of the bulldozers.

High in those uphill gardens, scarlet

Beanflowers blazed hours after

The water rose in the throats of the farms.

 

Only the rooted things stayed:

The wasted hay, the drowned

Dog roses, the farms, their kitchens silted

With their own stones, hedges

And walls a thousand years old.

And the mountains, in a head-collar

Of flood, observe a desolation

They’d grown used to before the coming

Of the wall-makers. Language

Crumbles to wind and bird-call.

 

by Gillian Clarke

from The Sundial (Gwasg Gomer, 1978)


Fun fact: The subject of this poem is the Clywedog reservoir (Welsh: Llyn Clywedog), a reservoir near Llanidloes, in Wales which was completed in 1967. Construction of the dam commenced in 1963 after the passing of an Act of Parliament ordering its creation to help prevent flooding of the River Severn in winter and to maintain its water levels in the summer. Local opposition was strong against the construction of the reservoir as it would result in the flooding of much of the Clywedog valley and the drowning of 615 acres (2.5 km2) of agricultural land. On top of several disruptions and protests, during construction in 1966 a bomb was detonated within the construction site, setting work back by almost 2 months. The political extremist group Mudiad Amddiffyn Cymru (MAC) was widely suspected of carrying out the bombing. The reservoir was opened in 1967 and till this day has been in continuous usage,

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Nightride by Gillian Clarke

The road unwinding under our wheels

New in the headlamps like a roll of foil.

The rain is a recorder writing tunes

In telegraph wires, kerbs and cats’ eyes,

Reflections and the lights of little towns.

 

He turns his head to look at me.

“Why are you quiet?” Shiny road rhythm,

Rain rhythm, beat of the windscreen wipers,

I push my knee against his in the warmth

And the car thrusts the dark and rain away.

 

The child sleeps, and I reflect, as I breathe

His brown hair, and watch the apple they gave him

Held in his hot hands, that a tree must ache

With the sweet weight of the round rosy fruit,

As I with Dylan’s head, nodding on its stalk.

 

by Gillian Clarke

from The Sundial, Gwasg Gomer, 1978)

The Empty Church by R. S. Thomas

They laid this stone trap

for him, enticing him with candles,

as though he would come like some huge moth

out of the darkness to beat there.

Ah, he had burned himself

before in the human flame

and escaped, leaving the reason

torn. He will not come any more

 

to our lure. Why, then, do I kneel still

striking my prayers on a stone

heart? Is it in hope one

of them will ignite yet and throw

on its illuminated walls the shadow

of someone greater than I can understand?

 

by R. S. Thomas

from Frequencies (1978)

The Sundial by Gillian Clarke

Owain was ill today. In the night

He was delirious, shouting of lions

In the sleepless heat. Today, dry

And pale, he took a paper circle,

Laid it on the grass which held it

with curling fingers. In the still

Centre he pushed the broken bean

Stick, gathering twelve fragments

Of stone, placed them at measured

Distances. Then he crouched, slightly

Trembling with fever, calculating

The mathematics of sunshine.

 

He looked up, his eyes dark,

Intelligently adult as though

The wave of fever taught silence

And immobility for the first time.

Here, in his enforced rest, he found

Deliberation, and the slow finger

Of light, quieter than night lions,

More worthy of his concentration.

All day he told the time to me.

All day we felt and watched the sun

Caged in its white diurnal heat,

Pointing at us with its black stick.

 

by Gillian Clarke

from The Sundial (Gwasg Gomer, 1978)