The Film of God by R.S. Thomas

Sound, too? The recorder
that picks up everything picked
up nothing but the natural
background. What language
does the god speak? And the camera's  
lens, as sensitive to
an absence as to a presence,
saw what? What is the colour
of his thought?
               It was blank, then,
the screen, as far as he
was concerned? It was a bare
landscape and harsh, and geological
its time. But the rock was
bright, the illuminated manuscript
of the lichen. And a shadow,
as we watched, fell, as though
of an unseen writer bending over
his work.
         It was not cloud
because it was not cold,
and dark only from the candlepower
behind it. And we waited
for it to move, silently
as the spool turned, waited
for the figure that cast it
to come into view for us to
identify it, and it
didn't and we are still waiting.
 
 
 By R.S. Thomas
 from Frequencies (1978) 

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‘The Nativity? No’ by R.S. Thomas

Text above the poem in the book

 The Nativity? No.
 Something has gone wrong.
 There is a hole in the stable
 acid rain drips through
 onto an absence. Beauty
 is hoisted upside down.
 The truth is Pilate not
 lingering for an answer.
 The angels are prostrate
 'beaten into the clay'
 as Yeats thundered. Only Satan beams down,
 poisoning with fertilisers
 the place where the child
 lay, harrowing the ground
 for the drumming of the machine-
 gun tears of the rich that are
 seed of the next war.
 
 
 By R. S. Thomas
 from Counterpoint (1990) 2. Incarnation 

Tawny Owl by Gillian Clarke

Plain song of owl

moonlight between cruciform

shadows of hunting.

 

She sings again

closer

in the sycamore,

 

her coming quieter

than the wash

behind the wave,

 

her absence darker

than privacy

in the leaves’ tabernacle.

 

Compline. Vigil.

Stations of the dark.

A flame floats on oil

 

in her amber eye.

Shoulderless shadow

nightwatching.

 

Kyrie. Kyrie.

 

by Gillian Clarke

from New Poems

The Way Of It by R. S. Thomas

With her fingers she turns paint

into flowers, with her body

flowers into a rememberance

of herself. She is at work

always, mending the garment

of our marriage, foraging

like a bird for something

for us to eat. If there are thorns

in my life, it is she who

will press her breast to them and sing.

 

Her words, when she would scold,

are too sharp. She is busy

after for hours rubbing smiles

into the wounds. I saw her,

when young, and spread the panoply

of my feathers instinctively

to engage her. She was not deceived,

but accepted me as a girl

will under a thin moon

in love’s absence as someone

she could build a home with

for her imagined child.

 

by R. S. Thomas

from  The Way of It (1977)