Solar Loneliness by Strannik a.k.a John (Shahovskoy) of San Francisco

here’s so much room in this world, even now,
Above the azure sea, beneath the arch of clouds.
And Everest’s blue peaks are as yet free,
And not so far invaded by vast crowds.

Yet still he flies toward the solar fire,
A tiny speck, lost in the endless blue,
An Icarus, condemned to heights unknown,
Man of our time, the loner who is new.

by Strannik (Странник)
also known as:
Archbishop John (Shahovskoy) of San Francisco
Ioann Shakhovskoy (Иоанн Шаховской)
Dmitriy Alekseyevich Shakhovskoy
(Дмитрий Алексеевич Шаховской)
translated by April FitzLyon

Additional information: I don’t know by which name and title he is most common referred to so forgive me for listing so many variations. It seems his surname is most often written as Shahovskoy although I usually see the Cyrillic ‘х‘ transliterated as ‘kh‘ elsewhere. Importantly, if somewhat obvious hopefully, he is not to be confused with St John of Shanghai and San Francisco.

Also, despite finding others, I could not find the Russian version of this poem. If you happen to know then please add a link, or copy/paste it, in the comments for others to find. Many thanks.

Archbishop John (Архиепископ Иоанн) of San Francisco was also known as prince Dmitriy Alekseyevich Shahovskoy (князь Дмитрий Алексеевич Шаховской), (1902–1989) during his lifetime. He was an officer of the White Army, wrote under the pseudonym “Strannik” (which means ‘wanderer’ in Russian), was an editor of an emigre literary journal in Paris, a Russian Orthodox monk (later archbishop of San Francisco and the West) in the Orthodox Church in America.

John (Shahovskoy), Archbishop of San Francisco was one of the many émigrés from the Russian civil war who entered a monastic life in the Orthodox Church and became a diocesan bishop in the United States. After first being consecrated Bishop of Brooklyn in the American Metropolia, he was elected Bishop of San Francisco and Western America and Archbishop in 1961, a position he held until his retirement in 1973.

There is a site showing the location of his grave with a photo of it.

The nom de plume Strannik (Russian for “Wanderer”) hints at the extraordinary breadth of the life of this child of the old aristocracy, Prince Ioann Shakhovskoy, who became a much-loved spiritual leader – the Russian Orthodox archbishop in faraway San Francisco – and a serious poet of transparent lyricism. Once in 1966 he invited the compiler on this anthology to lunch at a restaurant on the top of a hill in San Francisco. Full of self-respect and dignity he drove slowly as he bombarded the visiting Soviet poet with questions about the younger poetic generation, which he clearly admired. A strange symphony of sound grew around us and finally turned into an incessant blare. The road behind was jammed with cars forced to crawl at turtle speed because this frocked chauffeur paid no attention to the traffic around him as he kept telling over and over again of the fortune and happiness of loving poetry and the misfortune of not. (The idea of this anthology began to grow from that time).

Bishop John was not a man detached from the world; he had a lively interest in all things, from literature to politics. Poetry, however, was always the inner-most sacrament, the secret cell of his soul.

Biographical information about Strannik, p.416, ‘Twentieth Century Russian Poetry’ (1993), compiled by Yevgeny Yevtushenko (ed. Albert C. Todd and Max Hayward) , published by Fourth Estate Limited by arrangement with Doubleday of Bantam Doubleday Dell Publishing Group Inc. (transcribed as found in the original text).

Чертовы качели (The Devil’s Swing) by Fyodor Sologub

Beneath a shaggy fir tree,
Above a noisy stream
The devil’s swing is swinging
Pushed by his hairy hand.

He swings the swing while laughing,
Swing high, swing low,
Swing high, swing low,
The board is bent and creaking,
Against a heavy branch.

The swaying board is rushing
With long and drawn-out creaks;
With hand on hip, the devil
Is laughing with a wheeze.

I clutch, I swoon, I’m swinging,
Swing high, swing low,
Swing high, swing low,
I’m clinging and I’m dangling,
And from the devil trying
To turn my languid gaze.

Above the dusky fir tree
The azure sky guffaws:
“You’re caught upon the swings, love,
The devil take you, swing!”

Beneath the shaggy fir tree
The screeching throng whirls around:
“You’re caught upon the swings, love,
The devil take you, swing!”

The devil will not slacken
The swift board’s pace, I know,
Until his hand unseats me
With a ferocious blow.

Until the jute, while twisting,
Is frayed through till it breaks,
Until my ground beneath me
Turns upward to my face.

I’ll fly above the fir tree
And fall flat on the ground.
So swing the swing, you devil,
Go higher, higher… oh!

.

by Фёдор Сологуб (Fyodor Sologub)
a.k.a. Фёдор Кузьмич Тетерников (Fyodor Kuzmich Teternikov)
(14 July 1907)
Translated by April FitzLyon

The poem recited by Ekatrina Sorokova

Beneath is the original Russian version of the poem in Cyrillic.

Чертовы качели

В тени косматой ели,
Над шумною рекой
Качает черт качели
Мохнатою рукой.

Качает и смеется,
Вперед, назад,
Вперед, назад,
Доска скрипит и гнется,
О сук тяжелый трется
Натянутый канат.

Снует с протяжным скрипом
Шатучая доска,
И черт хохочет с хрипом,
Хватаясь за бока.

Держусь, томлюсь, качаюсь,
Вперед, назад,
Вперед, назад,
Хватаюсь и мотаюсь,
И отвести стараюсь
От черта томный взгляд.

Над верхом темной ели
Хохочет голубой:
– Попался на качели,
Качайся, черт с тобой!-

В тени косматой ели
Визжат, кружась гурьбой:
– Попался на качели,
Качайся, черт с тобой!-

Я знаю, черт не бросит
Стремительной доски,
Пока меня не скосит
Грозящий взмах руки,

Пока не перетрется,
Крутяся, конопля,
Пока не подвернется
Ко мне моя земля.

Взлечу я выше ели,
И лбом о землю трах!
Качай же, черт, качели,
Все выше, выше… ах!