‘The Nativity? No’ by R.S. Thomas

Text above the poem in the book

 The Nativity? No.
 Something has gone wrong.
 There is a hole in the stable
 acid rain drips through
 onto an absence. Beauty
 is hoisted upside down.
 The truth is Pilate not
 lingering for an answer.
 The angels are prostrate
 'beaten into the clay'
 as Yeats thundered. Only Satan beams down,
 poisoning with fertilisers
 the place where the child
 lay, harrowing the ground
 for the drumming of the machine-
 gun tears of the rich that are
 seed of the next war.
 
 
 By R. S. Thomas
 from Counterpoint (1990) 2. Incarnation 

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Snow on the Mountain by Gillian Clarke

There was a girl riding a white pony

Which seemed an elemental part

Of the snow. A crow cut a clean line

Across the hill, which we grasped as a rope

to pull us up the pale diagonal.


The point was to be first at the top

Of the mountain. Our laughter bounced far

Below us like five fists full of pebbles. About us

Lay the snow, deep in the hollows,

Very clean and dry, untouched.


I arrived breathless, my head breaking

The surface of the glittering light, thinking

No place could claim more beauty, white

Slag tips like cones of sugar spun

By the pit wheels under Machen mountain.


I sat on a rock in the sun, watching

My snowboys play. Pit villages shine

Like anthracite. Completed, the pale rider

Rode away. I turned to him and saw

His joy fall like the laughter down a dark

Crack. The black crow shadowed him.


by Gillian Clarke

from The Sundial (Gwasg Gomer, 1978)

Machen mountain mentioned in this poem is Mynydd Machen which is a 362-metre-high (1,188 ft) hill lying between the town of Risca and the village of Machen in Caerphilly County Borough in south Wales. Its summit is crowned by a trig point and a mast. The poem was written when Wales still had a coal mining industry and there were slag heaps, refuse from the mines and quarries,  outside communities across the country.

‘Loving, I am still dumbfounded’ by Afanasy Fet

Loving, I am still dumbfounded

by the world and its beauty,

and nothing will make me renounce

the sweetness you grant me.

However hard my breath come,

while I stand here on earth

the sound of new life will be welcome

wherever it stirs.

Submissive to the sun’s rays,

roots go down into the grave

to seek from death the strength

to meet spring days.

 

by Афанасий Афанасьевич Фет (Afanasy Afanasyevich Fet)

a.k.a. Шеншин (Shenshin)

(1890)

translated by Robert Chandler

‘Composed upon Westminster Bridge, September 3, 1802’ by William Wordsworth

Earth has not anything to show more fair:

Dull would he be of soul who could pass by

A sight so touching in its majesty:

This City now doth, like a garment, wear

 

The beauty of the morning; silent, bare,

Ships, towers, domes, theatres and temples lie

Open unto the fields, and to the sky;

All bright and glittering in the smokeless air.

 

Never did sun more beautifully steep

In his first splendor, valley, rock, or hill;

Ne’er saw I, never felt, a calm so deep!

 

The river glideth at his own sweet will:

Dear God! The very houses seem asleep;

And all that mighty heart is lying still!

 

by William Wordsworth

from Poems, in Two Volumes

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Fun Fact: This poem is also known as ‘Upon Westminster Bridge’.

In Great Waters by R. S. Thomas

You are there also

at the foot of the precipice

of water that was too steep

for the drowned: their breath broke

and they fell. You have made an altar

out of the deck of the lost

trawler whose spars

are your cross. The sand crumbles

like bread; the wine is

the light quietly lying

in its own chalice. There is

a sacrament there more beauty

than terror whose ministrant

you are and the aisles are full

of the sea shapes coming to its celebration.

 

by R. S. Thomas

from Frequencies (1978)