All Souls’ Night by Gillian Clarke

Wind after rain. The lane
is beaten lead. Nothing

is any colour. Hedges
are scribbles of darkness.

Not a cow or sheep in grey fields.
Rain sings in the culverts,

slides the gate-bars, brambles and grasses,
glints in tyre-ruts and hoof-prints.

Only the springer’s fur flowers white,
will o’ the wisp under a gate

across a field short-sightedly
reading the script of the fox.

A sudden wheel of starlings turns
the hill’s corner, their wings a whish

of air, the darkening sound
of a shadow crossing land.

At a touch my bare ash tree rings,
leafed, shaken,

the stopper of ice dissolved
in each bird-throat,

the frozen ash
become a burning bush.

by Gillian Clarke

Additional information: All Souls’ Day, also known as the Commemoration of All the Faithful Departed and the Day of the Dead, is a day of prayer and remembrance for the faithful departed, which is observed by Roman Catholics and other Christian denominations annually on 2 November.

Examples of regional customs include leaving cakes for departed loved ones on the table and keeping the room warm for their comfort in Tirol and the custom in Brittany, where people flock to the cemeteries at nightfall to kneel, bareheaded, at the graves of their loved ones and anoint the hollow of the tombstone with holy water or to pour libations of milk on it. At bedtime, supper is left on the table for the souls.

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Birth by Gillian Clarke

On the hottest, stillest day of the summer

A calf was born in a field

At Pant-y-Cetris; two buzzards

Measured the volume of the sky;

The hills brimmed with incoming

Night. In the long grass we could see

The cow, her sides heaving, a focus

Of restlessness in the complete calm,

Her calling at odds with silence.

 

The light flowed out leaving stars

And clarity. Hot and slippery, the scalding

Baby came, and the cow stood up, her cool

Flanks like white flowers in the dark.

We waited while the calf struggled

To stand, moved as though this

Were the first time. I could feel the soft sucking

Of the new-born, the tugging pleasure

Of bruised reordering, the signal

Of milk’s incoming tide, and satisfaction

Fall like a clean sheet around us.

 

by Gillian Clarke

from The Sundial (Gwasg Gomer, 1978)

Leisure by William Henry Davies

What is this life if, full of care,

We have no time to stand and stare.

 

No time to stand beneath the boughs

And stare as long as sheep or cows.

 

No time to see, when woods we pass,

Where squirrels hide their nuts in grass.

 

No time to see, in broad daylight,

Streams full of stars, like skies at night.

 

No time to turn at Beauty’s glance,

And watch her feet, how they can dance.

 

No time to wait till her mouth can

Enrich that smile her eyes began.

 

A poor life this if, full of care,

We have no time to stand and stare.

 

by William Henry Davies (1871 – 1940)

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William Henry Davies or W. H. Davies (3 July 1871 – 26 September 1940) was a Welsh poet and writer. Davies spent a significant part of his life as a tramp or hobo, in the United Kingdom and United States, but became one of the most popular poets of his time. The principal themes in his work are observations about life’s hardships, the ways in which the human condition is reflected in nature, his own tramping adventures and the various characters he met. Davies is usually considered one of the Georgian Poets, although much of his work is not typical of the group, in either style or theme.

She Mooed Through The Marshlands by Gregory Harrison

She mooed through the marshland

And frightened a coot,

That cow with one hoof in a wellington-boot.

 

‘Please tell me, dear cow,’

I said quite politely,

‘Why one of your hooves is embedded so tightly

In a rubbery, slubbery military shoe?’

 

She gave a long, low and lugubrious moo,

And squelched on her way.

I’m still left in doubt –

Well, maybe, it’s just that she can’t get it out.

 

– by Gregory Harrison