Петербург (Petersburg) [Excerpt] by Innokenty Annensky

The wizard’s gifts were only stone,

the River Neva’s yellow brown,

and empty squares like desert wastes

for executions staged at dawn.

 

by Иннокентий Фёдорович Анненский (Innokenty Fyodorovich Annensky)

(date unknown)

translated by Robert Chandler

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1918 by Tony Lewis Jones

I am younger than the century. A boy, you think,

But I am chained to a machine gun

Capable of ending a thousand lives

And this makes me a man.

 

There will be no withdrawl.

The officers have warned us:

Here, in our trenches, we fight or die

And no one is to cut me free.

 

In pity for my situation,

Don’t mistake me. I’m as frightened

As the newly wedded bank clerk we all tease

Who’s never known his wife; frightened

 

As the English, waiting to attack

When dawn reveals the cratered wasteground

Under my machine gun’s eye

Like, me, they’re chained to cirrcumstance;

 

The future doesn’t favour deals.

I have to trust my comrades and my gun:

No need to aim this thing. Bring on the enemy.

Let’s see some daylight. Death, release your slaves.

 

By Tony Lewis Jones

Фрагмент (Fragment) by Anna Akhmatova

And it seemed to me that there were fires

Flying till dawn without number,

And I never found out things – those

Strange eyes of his – that colour?

 

Everything trembling and singing and

Were you my enemy or my friend,

Winter was it or summer?

 

by Анна Ахматова (Anna Akhmatova)

(1959)

from Седьмая книга (The Seventh Book)

translation by D. M. Thomas

Tiger Bay by Idris Davies

I watched the coloured seamen in the morning mist,

Slouching along the damp brown street,

Cursing and laughing in the dismal dawn.

The sea had grumbled through the night,

Small yellow lights had flickered far and near,

Huge chains clattered on the ice-cold quays,

And daylight had seemed a hundred years away…

But slowly the long cold night retreated

Behind the cranes and masts and funnels,

The sea-signals wailed beyond the harbour

And seabirds came suddenly out of the mist.

And six coloured seamen came slouching along

With the laughter of the Levant in their eyes

And contempt in their tapering hands.

Their coffee was waiting in some smoke-laden den,

With smooth yellow dice on the unswept table,

And behind the dirty green window

No lazy dream of Africa or Arabia or India,

Nor any dreary dockland morning

Would mar one minute for them.

 

by Idris Davies


Fun fact: Tiger Bay (Welsh: Bae Teigr) was the local name for an area of Cardiff which covered Butetown and Cardiff Docks. It was rebranded as Cardiff Bay, following the building of the Cardiff Barrage, which dams the tidal rivers, Ely and Taff, to create a body of water. The development of the Cardiff Docks played a major part in Cardiff’s development by being the means of exporting coal from the South Wales Valleys to the rest of the world, helping to power the Industrial Age. The coal mining industry helped fund the growth of Cardiff to become the capital city of Wales and contributed towards making the docks owner, The 3rd Marquess of Bute, the richest man in the world at the time

Шепот, робкое дыханье (Whispers) by Afanasy Fet

Whispers, timid breathing,

trills of a nightingale,

the silver and the shiver

of a sleepy rill.

 

Pale light and nighttime shadows,

shadows without end,

all the magic transformations

of eyes and lips and brows.

 

In smoky clouds, a rose’s purple,

the shine of amber beads,

and the kisses, and the tears,

and the dawn, the dawn!

 

by Афанасий Афанасьевич Фет (Afanasy Afanasyevich Fet)

a.k.a. Шеншин (Shenshin)

(1850)

translated by Boris Dralyuk

Our Meeting by Inna Lisnianskaya

The woodpecker chips at the bark – easy route to the worm?

I take my time waking you, though I rose at dawn.

Your war is over – to each his own frost.

You skated on the Volga, iced Ladoga kissed,

but my frost was the morgue: from orphan to orderly,

so as not to starve, I pulled funeral trolleys.

There’s a sacred meaning in this meeting of fate and fate –

it was to unfreeze life that you and I met.

 

by Инна Львовна Лиснянская (Inna Lvovna Lisnyanskaya)

(2001)

translated by Daniel Weissbort


 

She was the wife of Semyon Lipkin. The above poem was written shortly before his death.

There isn’t much about her in English so if you want to know more you may have to research her husband intially and work from there for biographical details. However one collection of her poetic works titled ‘Far from Sodom‘ is available in English should you wish to read more of her writing.

She was born in Baku and published her first collection in 1957 then moved to Moscow three years later. In 1979 she and her husband resigned from the Union of Soviet Writers in protest to the expulsion of Viktor Yerofeyev and Yevgeny Popov from it. The following seven years her works were only published abroad though from 1986 she was able to publish regularly and was awarded several important prizes.

Flight by Anna Akhmatova

For O. A. Kuzmin-Karavaev

 

‘If we could only reach the shore,

My dear!’ – ‘Sh! Be quiet!’…

And we started down the stairs,

Hardly breathing, searching for keys.

 

Past the house where we had once

Danced and drunk wine,

Past the Senate’s white columns

To where it was dark, dark.

 

‘What are you doing? You’re mad!’ –

‘Not mad. In love with you!

This wind is wide and billowing,

Gaily it will take the ship!

 

Throat tight with horror,

The canoe took us in the gloom…

The tang of an ocean cable

Burnt my trembling nostrils.

 

‘Tell me – if you know youself:

Am I asleep? Is this a dream? …’

Only the oars splashed evenly

Along the heavy Neva wave.

 

But the black sky grew lighter,

Someone called to us from a bridge.

With both hands I seized the chain

Of the cross on my breast.

 

Powerless, I was lifted in your arms

Like a young girl on to the deck

Of the white yacht, to meet the light

Of incorruptible day.

 

– by Анна Ахматова (Anna Akhmatova) (Summer, 1914)

– from Белая стая (White Flock, 1917) translation by D. M. Thomas