‘Top left an angel’ by R.S. Thomas

 Top left an angel
hovering. Top right the attendance
of a star. From both
bottom corners devils
look up, relishing
in prospect a divine
meal. How old at the centre
the child's face gazing
into love's too human
face, like one prepared
for it to have its way
and continue smiling?



By R. S. Thomas
from Counterpoint 2. Incarnation (1990)

Countering by R. S. Thomas

Then there is the clock's

commentary, the continuing

prose that is the under-current

of all poetry. We listen

to it as, on a desert island,

men do to the subdued

music of their blood in a shell.


Then take my hand that is

of the bone the island

is made of, and looking at

me say what time it is

on love's face, for we have

no business here other than

to disprove certainties the clock knows.


by R. S. Thomas

from Experimenting with an Amen (1986)

Pathology of colours by Dannie Abse

I know the colour rose, and it is lovely,

but not when it ripens in a tumour;

and healing greens, leaves and grass, so springlike,

in limbs that fester are not springlike.

 

I have seen red-blue tinged with hirsute mauve

in the plum-skin face of a suicide.

I have seen white, china white almost, stare

from behind the smashed windscreen of a car.

 

And the criminal, multi-coloured flash

of an H-bomb is no more beautiful

than an autopsy when the belly’s opened –

to show cathedral windows never opened.

 

So in the simple blessing of a rainbow,

in the bevelled edge of a sunlit mirror,

I have seen, visible, Death’s artifact

like a soldier’s ribbon on a tunic tacked.

 

by Dannie Abse

from a small desperation (1968)

A Grumble by Yevgeny Baratynsky

Bane of the gorgeous summer, meddlesome fly, why must you

torture me, ducking and weaving, clinging to face and to fingers?

Who was it gave you that sting that has power to cut short at will

thought on its albatross wings or the burning kisses of love?

You make of the peaceable thinker, bred on the pleasures of Europe,

a barbarous Scythian warrior, thirsting for enemy blood.

 

by Евгений Абрамович Баратынский (Yevgeny Abramovich Baratynsky)

(1841)

translated by Peter France

Still He Lay Without Moving, As If, After Some Difficult… by Vasily Zhukovsky

Still he lay without moving, as if, after some difficult

task, he had folded his arms. Head quietly bowed, I stood

still for a long time, looking attentively into the dead man’s

eyes. These eyes were closed. Nevertheless, I could

see on that face I knew so well a look I had never

glimpsed there before. It was not inspiration’s flame,

nor did it seem like the blade of his wit. No, what I could

see there,

wrapped round his face, was thought, some deep, high

thought.

Vision, some vision, I thought must have come to home. And I

wanted to ask, ‘What is it? What do you see?’

 

by Василий Андреевич Жуковский (Vasily Andreyevich Zhukovsky)

(1837)

translated by Robert Chandler


 

Fun fact: Ivan Bunin, the Nobel Prize winning Russian emigre author, is related to him.