The Tears of Lilith by Clark Ashton Smith

O lovely demon, half-divine!

Hemlock and hydromel and gall,

Honey and aconite and wine

Mingle to make thatmouth of thine-

 

Thy mouth I love: but most of all

It is thy tears that I desire-

Thy tears, like fountain-drops that fall

In garden red,Satanical;

 

Or like the tears of mist and fire,

Wept by the moon, that wizards use

to secret runes when they require

Some silver philtre,sweet and dire.

 

By Clark Ashton Smith

The Witch with Eyes of Amber by Clark Ashton Smith

I met a witch with amber eyes

Who slowly sang a scarlet rune,

Shifting to an icy laughter

Like the laughter of the moon.

Red as a wanton’s was her mouth.

And fair the breast she bade me take

With a word that clove and clung

Burning like a furnace-flake.

But from her bright and lifted bosom,

When I touched it with my hand,

Came the many-needled coldness

Of a glacier-taken land.

And, lo! The witch with eyes of amber

Vanished like a blown-out flame,

Leaving but the lichen-eaten

Stone that bore a blotted name.

 

by Clark Ashton Smith

Nicholas Was… by Neil Gaiman

Nicholas Was…

older than sin, and his beard could grow no whiter. He wanted to die.

The dwarfish natives of the Arctic caverns did not speak his language, but conversed in

their own, twittering tongue, conducted incomprehensible rituals, when they were not

actually working in the factories.

Once every year they forced him, sobbing and protesting, into Endless Night. During the

journey he would stand near every child in the world, leave one of the dwarves’ invisible

gifts by its bedside. The children slept, frozen into time.

He envied Prometheus and Loki, Sisyphus and Judas. His punishment was harsher.

Ho. Ho. Ho.

 

by Neil Gaiman

from Smoke & Mirrors


In 1989, Neil Gaiman and Sandman artist David McKean collaborated on a hundred word Christmas card story titled “Nicholas Was.” Below is a short animated version created by 39 Degrees North Studio.


 

 


 

Toilet by Hugo Williams

I wonder will I speak to the girl
sitting opposite me on this train.
I wonder will my mouth open and say,
‘Are you going all the way
to Newcastle?’ or ‘Can I get you a coffee?’
Or will it simply go ‘aaaaah’
as if it had a mind of its own?

Half closing eggshell blue eyes,
she runs her hand through her hair
so that it clings to the carriage cloth,
then slowly frees itself.
She finds a brush and her long fair hair
flies back and forth like an African fly-whisk,
making me feel dizzy.

Suddenly, without warning,
she packs it all away in a rubber band
because I have forgotten to look out
the window for a moment.
A coffee is granted permission
to pass between her lips
and does so eagerly, without fuss.

A tunnel finds us looking out the window
into one another’s eyes. She leaves her seat,
but I know that she likes me
because the light saying ‘TOILET’
has come on, a sign that she is lifting
her skirt, taking down her pants
and peeing all over my face.

 

by Hugo Williams