The Living and the Dead: Episode 4

Episode 4: “When a woman goes missing, Nathan must put his spiritual troubles aside to lead the rescue party. As he races to solve the mystery, Charlotte struggles with a secret of her own.”



Credits:
Nathan Appleby: Colin Morgan
Charlotte Appleby: Charlotte Spencer
Matthew Denning: Nicholas Woodeson
Gwen Pearce: Kerrie Hayes
Martha Enderby: Fiona O’Shaughnessy
Jack Langtree: Joel Gilman
Gideon Langtree: Malcolm Storry
Isiah Cobb: Adam Ewan
Alice Wharton: Gina Bramhill
William Payne: David Oakes
Maud Hare: Elizabeth Berrington
Lizzie Merrifield: Sarah Counsell
Lara: Chloe Pirrie
Writer: Robert Murphy
Producer: Eliza Mellor
Director: Sam Donovan


Victim of the episode:
Martha for being ‘different’. Jack for being a lovesick fool and because the creators believe the audience want karmic retribution making him pay for the previous episode. Alice the ghost girl who fell to her death or committed suicide while hysterical.


Synopsis:
Autumn 1894 – A woman in a red dress moves through a forest as if being chased. Nathan, in his office, uses a Ouija board to call on Clarity Winlove as he still wants to know if she blessed or cursed Charlotte’s womb. The red dress woman calls out asking if someone is there. Scene duality for the win yo. Nathan is getting no results himself though. The woman gets captured suddenly. Charlotte is back from her apple foraging calls on him. Once he is gone the Ouiji board begins to move. and ‘Daddy’ is written on the mirror. DUN DUN DURR.

The hay wagon has been tampered with leaving the sacks spilt on the ground. Reverend Denning came to check on Nathan and notes the Ouija board on his desk. They discuss the fashion for spiritualism which he sees as a malaise and covering the grief of bereavement. Nathan asks him his view as his reverend. Transgressing against man and nature. Jack Langtree is suspected of being the saboteur.

Miss Martha Enderby, the red dressed woman, appears and is the school marm we are told. If you have been watching can you honestly say you say the actress in any of the community gathering scenes in the past episodes? I can’t personally. She is clearly in shock so Nathan offers her a stiff drink and Denning asks her if she remembered anything. She remembers nothing of course as she is still in shock. She speculates maybe if she got back there… then remembers Jack Langtree attacked her… but it also wasn’t him at the same time. Almost as if he were possessed.

Later Nathan speculates she is blocking out something traumatic and wants to take her back into the forest in order to go after Jack. Charlotte protests but Martha agrees as ‘Jack Langtree is dangerous’.

Nathan asks if Jack forced himself on her which seems a logical enquiry considering her behaviour. They then look for where Jack attacked her.

Charlotte goes looking around the silent house and hears a baby’s cry. She then vomits in a bowl as Gwen turns up. Pregnant marm? Pregnant marm… Let Gwen hold your hair there marm while you chunder marm…

Nathan asks Martha to recall things and Martha speaks of a girl Alice she was educating. ( For those who remember the song: all together now! ‘Alice? Alice? Who the F*** is Alice?’) Jack was living and poaching there. Alice was going to elope with him so Martha was hoping to warn her off. (she has split personality and the grabbing at the start was of lovers i bet). she challenges him saying people think Nathan is raising the dead but she thinks he is a good man. They see smoke coming from nearby.

Gwen makes a drink to stop Charlotte vomiting. Chalotte wonders whats in it and Gwen says ‘what you don’t know wont hurt you’. HEDGE WITCH COMING TO THE RESCUE. Charlotte reflects on matters again and ‘hope is better than no hope’. She asks Gwen about he sound of the baby asking if maybe a worker brough a baby in. Gwen says she doesn’t know. ITS FORESHADOWING. NATHAN ISN’T THE ONLY ONE GETTING GHOST ENCOUNTERS… but later in the series she refuses to believe him which in hindsight makes it seem like a severe plot contrivance considering what happened here.

Nathan and Martha find a still smouldering camp site by the mouth of a cave. Nathan calls for Jack but there is no response so he goes to investigate. Martha sees it as Alice’s room and asks what he’s done to her? She runs for air looking around the upper levels of the trees when a pale, blonde, ghost girl appears nearby whom she identifies as Alice. Nathan goes to approach her but Martha shouts ‘No!’. (She’s a ghost then I guess.) Martha wants to leave this place. Nathan points her in the direction of his house and tells her to inform his wife. Martha says Alice isn’t the secret flower of the forest. No because that’s an unsubtle metaphor for the vagina… because you know… lesbianism symbolism. Nathan tells her he will bring her home safely.

Charlotte rides a horse to Mr Payne’s stately looking home. He is handsome. He has llamas. You know at some point he is going to be involved in some sort of temptation storyline with Charlotte as the, at the moment, happily married woman. They have banter but she is here to ask a favour. She needs his wagons. He agrees to it. (I bet he sabotaged them).

Nathan is still chasing Alice though the woods. He comes to a narrow path between tall rocks and finds Alice collapsed there… turning her over he sees she is a corpse. DUN DUN DURR!

Charlotte arrives home on her horse but seems weary of something. She enters and calls for Gwen. (Gwen’s been hiding a baby unless DUN DUN DURR its foreshadowing about the modern-day matters being hinted at heavily). Martha is sat in front of the fire. She considers it ‘all her fault’. Alice was going to elope with Jack and she lost her temper and went too far. When she went back to apologise Alice was gone. Believes she would have overcome her infatuation with Jack if she hadn’t intervened. Nathan checks the corpse and sees blood on the nearby moss. As Martha tells Charlotte more of Alice Nathan brings the corpse back through the forest.

Jack is wandering through the forest himself looking remorseful for how things have turned out.

Charlotte believes people wouldn’t accept a friendship between a school teacher and a simple lady. she views the area as backwards, even medieval, then apologises for saying such. MORE OF THE MAIN CHARACTERS BIGOTTRY. LETS HOPE THERE ARE NO EPISODES ON THE HORIZON WHERE WE ARE MEANT TO BE SYMPATHETIC. In reality, is such a small community, they would have. Oh except maybe this was the creator’s attempt at using ‘friendship’ as a euphemism for lesbianism – in which case I think you would find even modern urban societies would also at that time not look favourably towards their ‘friendship’. This is some bad writing.

Mr Payne arrives so Charlotte goes to greet him. Nathan arrives with the corpse of Alice. Like a cat that’s gone hunting. Alice was one of Mr Payne’s workers. Nathan asks for his help to apprehend Jack Langtree to which he agrees. Martha uncovers the body and sees the corpse of her friend. She and Nathan look at each other and he has Gwen take Martha back in the house. Charlotte questions him but Nathan asks she do as he asks. Be a good wife – love, honour and obey – just like you were so sycophantically willing to do in the first two episodes.

He inspects Alice’s corpse in a candle lit room while making written notes playing at being a proto-forensic investigator. Martha is staying with them and is shocked by the appearance of Alice’s ghost in the window.
Nathan later that evening declares to Martha and Charlotte he believes Alice was murdered that morning and discusses seeing her spirit. Martha denies seeing the ghost of Alice earlier suggesting he imagined it when he was there with her. He grabs her arm aggressively and asks what she is playing at then begins to shout at her claiming she is lying. Charlotte gets between them and apologizes for his behaviour. HIS FAITH IN SCIENCE IS BEING SHAKEN AND IT ONLY TOOK 4 SEPERATE GHOST ENCOUNTERS.

Nathan and Charlotte go into the corridor and she believes he has been in his study too long. Then the title of the series comes up as he is focused on the dead and she wants him to focus on the living. DRAMATIC DENOUEMENT – PLAY THE THEME TUNE!!! He then tells her about seeing the healer Miss Winlove’s ghost and needing to know if it was a blessing or a curse placed on Charlotte. She says she has given him everything she has but he has abandoned her.

He hears tinny voices and goes rushing to his study. He sees an electronic tablet speaking but it disappears and he doesn’t know what to make of it. I should note now they clearly indicate it is an iPad in a later episode by name in case you thought the BBC never do product placement. That is a hell of a strong back light on it considering how it lights things up.

The next morning he rushes outside to his horse as Charlotte comes outside to see him riding into the distance. Martha, inside, hears noises coming from an adjoining room to her’s. The door handle rattles. She opens the door and see the silhouette of Alice which then comes screaming towards her in a very goofy way. FORESHADOWING.

Cut to reverend Denning giving a sermon and children placing harvest festival offerings in a pile at the altar. TRAILER SHOT.

Jack is hiding under a tree from the mob hunting him down with rifles in hand. TRAILER SHOT. They find him and he runs away from them. Payne and a few of his workers arrive brandishing rifles. Payne spots Jack running in the distance and raises his weapon. However Nathan catches Payne just in time and calls him out on his conduct. Payne claims he wasn’t going to kill him and Nathan says he wants Jack alive. OH IS PAYNE BEING HEAVYHANDEDLY MARKED OUT AS AN ANTAGONIST? I THINK SO!

Gwen lock and loads a rifle saying if Jack Langtree comes their way he’ll have her to deal with. She also locked Martha’s door when Charlotte asks where Miss Enderby is.

Nathan chases Jack. Others appear with rifles. Nathan catches up to him. Jack thinks its Nathan causing the curse and persecuting him for all his ills. He considered Alice his angel who was going to save him. Nathan tells Jack he wants him to return for a fair hearing. Jack just wants him to bring her back. He’s seen him raise the dead and asked him to do it again. Nathan says he is ‘just a man, no more, no more’. So Jack throws himself off those same high stones that Alice did and dies.

Charlotte wants entry to Martha’s room but she just wants to be alone.

Payne asks if he wasnt guilty of murder why did he run? Nathan finds a book on Jack.

Charlotte moves a table from barricading the door. Chalotte tells her she believes Nathan saw something and asks why Martha lied and denied seeing it.

Nathan reads the book and Martha also recites the lines. ‘my love is like a red red rose… until the seas run dry. To my secret flower of the forest, love Martha’.

GET IT? SHE WAS A LESBIAN ALL ALONG! JACK LOVED ALICE. ALICE LOVED JACK. MARTHA LOVED ALICE BUT ALICE WASN’T A LESBIAN! MARTHA WAS AN OBSESSIVE LESBIAN STALKER, WHOSE LOVE WASN’T RECIPROCATED, ALL ALONG! WOOOOOOOOOOOO SPOOKY! SPINE TINGLING HORROR! HOPE YOU CAN SLEEP TONIGHT!

Jack loved Alice as did Martha. Martha always felt alone until she realised she loved Alice with all her heart. Then she sees the ghost of Alice saying if she loved her she wouldn’t have done this to her.

Nathan runs home as Martha monologues about how she was ignored because she was different. She then begins to choke Charlotte claiming to love her (Alice) challenging her why she laughed at her. She is delusional. Charlotte is choking. Nathan arrives and runs up the stairs. Gwen has already shot Martha dead and remains stood over the corpse pointing the rifle at it. Where was she earlier? We always see her literally at Charlotte’s right hand so it seems a plot contrivance she was absent without reason in order for Charlotte to get in trouble.

Field workers carry Jack’s body out for burial as the others ask where it will end as another of them is dead and he replies he doesn’t know.

Denning, in the church, approaches the altar and sees all the harvest offerings have gone mouldy and rotten. DUN DUN DURR (Actually this is a good bit of foreshadowing for the next episode in fairness).

Police take Martha away in a horse and carriage. How genteel for an attempted murder. Payne also departs after being thanked for playing his part. Nathan goes back inside to Charlotte. Martha murdered Alice with no possession or demon. It was because of passion and folly he claims. Human weakness. Charlotte says she can not remain here. She tried to kill her. He says he will protect her. He Loves her. But can he protect their child she asks. He is happy she is pregnant. It was everything they wanted and why they came here so nothing else matters but this. ‘the past is dead and the dead are dead. there is only us three’. and they embrace smiling. But we see him look pensively when she is unable to see his face.

STINGER CLIFFHANGER TIME. A modern car with the red coated woman pulls up to the house and she takes a baby asking ‘do you want to go inside?’ GET IT? THAT’S WHERE THE BABY  NOISE CHARLOTTE HEARD WAS COMING FROM.



Review:

A bit awkward of an episode. A modern audience is meant to take it as Martha was a lesbian but the problem is that women of that era had far more intimate friendships than nowadays. If you look at the story Carmilla by Sheridan Le Farnu nothing in it was lesbian in tone for the era but in contrast to today it certainly seems overly intimate but was normal at the time especially for middle or upper class young women.

Mr Payne just seems to be suddenly introduced here. I appreciate we don’t have to be shown every aspect of the Applebys’ arrival in the town in episode 1 but considering what we are shown you would think some reference to him would be made prior to the very sudden ‘we need help from someone (but someone who is equal to us not the workers who are portrayed as a sheep like rabble)’ moment in this episode.

Alice has little character development so her death seems little more than a weak narrative device. An object acted upon. What made her so appealing to Martha and Jack we never really get explained. She was inquisitive and wanted to learn. That is the motivation for protecting a youth not eloping with a lover.

So did Jack vandalise the wagons? I’m not sure if that little mystery is resolved or not.

When did Jack, or others, see Nathan raise the dead? It is mentioned a few times during the series and the only people you could argue he did that to was Peter and there were very few people present.

Really the time frame of this series seems to be about one episode per 2 months of them living there due to the passage from harvest to raining winter time imagery by the end of the series.

The image of Gwen as loyal servant is fine. People ‘knew their place’ as part of the class system. I take issue with the image of Gwen stood over Matha’s corpse though. It implies we are meant to see Gwen as badass or a strong woman in comparison to the other women this episode. What I see though is a clear glorification of violence. When did Gwen, a house based servant, learn how to use a rifle? We are never told and it neither came up before or after yet she seems to handle it like an expert. Was shooting Martha a reasonable response to seeing Charlotte being choked? Couldn’t she had instead struck her at the back of the head to knock her out (which still might seem severe but at least would leave Martha alive). No. No can’t be having any of that. Lesbians are degenerate. Might infect the other women folk. Death to her it is. So add hints of homophobia to the anti-intellectualism before. ‘Oh but that’s how people were back then’…. No. This series is presenting a very stereotyped view of the era and it seems minimal research was done concerning the issues of each episode. They are showing the worst of society each time and it makes the entire matter disagreeable in tone and execution.

The sudden turn of Charlotte from being loving , doting, wife to critical skeptic is too sharp. If they had done a better job of indicating her increasing disquiet I could accept it but it seems that the denouement before the ‘real’ story of the series begins is presented in a very heavyhanded manner making it seem forced rather than a gradual creeping development in the series. This goes even more so for how easily the workers leave the town. Many of them would have lived and worked in this community since birth so would know nothing of the next community over let alone have the drive or savings to abandon their homestead.

It’s a very heavy handedly written episode and it does a severe disservice to the story regarding Martha, Jack and Alice’s love triangle. There was potential there, especially in addressing the view of lesbianism in that era, but it is discarding in one of the most blunt ‘DRAMABOMB’ style sudden shifts in dramatic tone between its leads I have seen in recent history without it intended to be a shock. To me this is the turning point in the series where it tries to be far more clever than it is and its only downhill from here. What at first seemed like it would be an interesting series about science versus superstition – in regards to whether the ghosts are real or unclassified psychological issues – but decided melodrama is more important than consistency. If anything I feel this series is a veiled contempt for people who are not ‘normal’ under the guise of ‘oh but its set in the past and its that generations view of it’ when it often wouldn’t have been in reality. I will cover each episodes ‘people of hate’ in a round-up review in a few weeks hence why I explicitly note the ‘victims of the week’ with each entry. The series seems to want to deal with social issues but if so a lot of it’s topics are at least a decade too late.


The BBC seem to be uploading promotional images and such to the official site a few weeks behind airing the episodes on BBC1 which is annoying as I cannot post images of the episode I am reviewing in each post. Obviously they are preparing for the international market and are behind schedule. Fortunately I can return and add the appropriate image later but it is a shame for anyone who wants immediate reviews in the days following the episodes broadcast.

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The Living And The Dead Episode 3

BBC Episode 3 Description: “The farm and its future are under threat. Can Nathan and Charlotte save their crops and expose the dark secrets of a disturbed young man before he does any more damage?”



Credits
Nathan Appleby: Colin Morgan
Charlotte Appleby: Charlotte Spencer
Matthew Denning: Nicholas Woodeson
Gwen Pearce: Kerrie Hayes
Peter Hare: Robert Emms
Maud Hare: Elizabeth Berrington
Gideon Langtree: Malcolm Storry
Agnes Thatcher : Pooky Quesnel
Clarity Winlove:Katy Michael
Jack Langtree: Joel Gilman
Bathsheba Thatcher: Amber Fernee
Simon Merrifield: Ben Fox
Lizzie Merrifield: Sarah Counsell
John Roebuck: Steve Oram
Martha Enderby: Fiona O’Shaughnessy
Writer: Simon Tyrell
Producer: Eliza Mellor
Director: Alice Troughton


Victim(s) of the Episode: Peter Hare, due to persecution, and by extension his mother Maud. Clarity Winlove in the past due to similar persecution.



Synopsis

Nathan’s walking through the hay fields. The boys from last episode fade into the field, the modern-day red coat woman is flashed on-screen. Charlotte catches up to him and talks of the harvest. Banter. Backlit by the sunrise and kissing. Trailer shot accomplished.

Peter Hare dreams of being told he must make the sacrifice before waking. The voice tells him to ‘do it’ as he looms over his mother, Maud Hare, who awakes.

The workers are stood in a row awaiting Charlotte’s tasting of a single a grain and if she will declare if they’re to start the harvest today. She says tomorrow so the foreman, Gideon, tells them to all go. So she has gone from an urban house wife to knowing the intricacies of harvesting techniques which would take others a lifetime to develop? By this point she is a mary sue or as its more commonly called the protagonist of a romance novel. Or a pale shadow of Bathsheba Everdene. Your choice.

Charlie’s mother has packed up and is leaving after his death. Her three daughters sit silently on the cart. She says that he, the smart doctor, obviously knows their minds better than they do after he says it would be better for them if they stayed. She leaves in tears and the littlest girl has her doll wave and says ‘bye bye’. At least they are not ignoring that character’s have their own will but I feel there was more of a story that could have been told with them only for them to be gone now they’ve served their purpose.

The disturbed young man Peter goes for a swim. He sees a corpse and so goes and tells Nathan the ord of the manor authority figure. Nathan then himself goes for a swim to investigate. He doesn’t see the ghost/delusion. Peter, in front of Nathan, tells the voices in his head to shut up. Nathan notes maybe he needs help. Peter excuses himself and leaves as Nathan looks, bare-chested, into the distance. For the ladies. We get it – you’re marketing this towards a female audience you don’t need to be so heavy-handed about it.

Later all the fish in the lake/pond are dead so Nathan and Charlotte go back inside. She has her photo equipment and they talk of the mill’s history. Then he gets all soppy over a dandelion seed floating on his hand. Then as she sets her equipment up they make out.

The workers are down the pub complaining they’ll not be paid until next week and don’t like it. The reverend Denning sticks up for the Applebys toasting ‘the new and the old’. GET IT NEW AND OLD/LIVING AND DEAD/GABRIEL AND (SPOILER). Nathan visits the Peter’s mother Maude. Maude says the school master said he could go to university on a bursary but she thought it ‘better he learn a trade’. Nathan reckons Peter poisoned the mill pond. Nice leaping to conclusions with no evidence there Mr Protagonist. Then makes comments that he’s sure his, and his wife’s minds are fine… Peter says he’s glad it’s only dead fish and not dead people Nathan sees. FORESHADOWING. Charlotte develops her photos as Nathan bursts into her room. She sees a woman in her photograph but blames the bromide process having inadequacies.

They’re unlikable protagonists really as they seem so apathetic. They boss people around and stick their nose into things that are not their concern. But whatever – they own the land and by extension the people who work it in accord with feudalism traditions it seems. Are they landowners then to the level people pay rent and taxes to them?

Peter is told by the voices in his head to sacrifice his mother’s blood or else the harvest will fail. Very old school pagan view there. Wonder if they’ll indicate where he got these beliefs from as either way he had to have learnt it from somewhere as it is quite an old testament kind of idea.

Nathan is in his study at night and sees bugs on his copy book thus foreshadowing the next day’s events.

Next morning and Peter crosses paths with the Gideon, the foreman, who is suspicious of what he is doing up at that time of day.

Nathan has been up all night and written nothing. Black devil insects destroyed the harvest just as they did back in ’62. Foreman Gideon says Peter cursed the harvest. Again blaming him without proof. Wife declares they have an infestation and it’s not a curse nor are they devils. I’m quite sure the workers didn’t literally think they were devils. (Again it makes me less sympathetic to the character before the big conflict later in the series… ) So she says they’ll harvest the insects one by one then harvest the wheat. No magical answers here, just hard graft.

Peter says he hears voices. The woman under the water. What she told him about the sacrifice. Nathan says he doesn’t have to do that but doesn’t stop him either when he runs off and gets a sickle!?

Charlotte reads her farming books, instead of consult with at least Gideon about what to do, to see if there isn’t an answer and gets frustrated.

Nathan asks boy’s mother and she doesn’t remember it as she’s too young. She refutes it when Nathan said her son will become aggressive. He tells her to lock her bedroom door. He knows what will happen but lets her walk off!?

Charlotte creates a wonder solution ‘with science’! She is going to set some flammable incense off and needlessly tells the workers to ‘beware the crops catching fire’. You mean the workers who are not setting something on fire in the middle of the field and have been toiling away? She tells the workers to plant the others. I get the impression this stuff is actually similar to DDT and more hazardous than just accepting the crop failed.

Peter meets that actor Jack Langtree who reminds me of that actor who always plays west country rural workers. Clearly Peter has been like this before. The foreman Gideon, who it also passes is Jack’s uncle, says ‘the mistress has broken the spell so lets not have anymore of this okay’ to Peter still apparently believing he had a hand in the failed crops. Then Jack doused Peter in water ‘like a drowned rat’. So Peter is persecuted then by the others still.

The harvest is finished and Nathan asks Peter how he is then talks of insects ‘crawling into our minds’. Nice. Subtle. Not likely to spark him off whatsoever. Psychology 101 qualification don’t forget. Invites Peter to the Appleby house and hows him a photo of his mother as a child and Peter notices the lake woman in the photo. She was a healer who disappeared in the village. Charlotte asks if he is concerned about Peter but Nathan says ‘you can never be sure of what people are capable of’. Nice bit of prejudice there then, Peter is a worker with capabilities above his station being born intelligent and needs to be put back in his place and made to conform via persecution. No wonder he is so screwed up from living in this community. The writers might have had a point but by allowing Nathan to make such comments it makes him complicit and a far less sympathetic figure. (Again in the lead up to the part of the series where we are expected to be sympathetic to him).

Then at night Nathan sees the ghost woman as Charlotte lying next to him awakes and realises the harvest will be ruined by the sudden storm. He seems rattled by his experience just now. People toil in the field under the heavy rainfall. There’s some ominous Enya style music. ‘the devil wants to drown us all’. Peter has the voice tell him to do the sacrifice so they don’t blame him for the rain. His mother, Maude, had locked her door heeding Nathan’s advice from earlier. They discuss Clarity Winlove a.k.a. the drowned ghost woman. Maude denies knowing her. She adds terrified that though he might not love her she loves him. Peter calls her a liar and walks away.

Charlotte tells everyone to go home to rest and pray for better weather. Bossy boots Bathesheba wannabe. Jack and Gideon talk. Jack wants to end it ‘the old way’ but the Gideon is unsure. IS IT A DROWNING? IT’S A DROWNING ISN’T IT?

Nathan considers the events just a case of bad luck. They saved a quarter of the harvest. Nathan says maybe he brought the curse with him. Maybe its her Charlotte adds. YES LETS HAVE A PITY PARTY THAT’LL MAKE US GOOD PROTAGONISTS. She lists how she wasn’t born there, brought the machine and judged the reaping wrong. He says its lunatic talk, monomaniacal, the devil. The misfortunes nothing to do with her, there is no curse. She goes to change her wet cloths. He stares at the photo of Peter’s mother as a child and the healer woman.

He asks, the following day, if Maude knows Clarity Winlove. She denies it but then says Clarity went to America to see a distant cousin. Apparently that’s the ‘official’ story. Jack came looking for Peter and Nathan realises that Jack is going to attack Peter.

Jack find Peter in the old mill. He thinks that’s where Peter does his spells and such. Peter tries to run but he captures him easily.

Peter’s mother bangs on the Applebys’ door saying its her fault not her sons.

Jack ties Peter up to drown him as the ghost tells Peter that’s what was done to her. ‘You’ll reap what you sow’ and claims Peter is a witch as he floats in the pond so weighs him down before running off. Peter’s mother finds him face down. Nathan and his wife arrive and try to pump his lungs which works. His mother immediately goes to cut her wrist as payment for what she did years ago. She drowned Clarity due to the poor harvest just as Jack was going to drown Peter. She saw a potion Clarity had given her mother to put in her father’s meal to aid fertility. She knew what Clarity was but claimed she was a witch and had the others tie her in chains and drown her. Again she goes to cut herself but Peter runs up and tells her she must forgive herself.

Nathan looks pensively at the ghost of Clarity, stood in the doorway of the mill, as the others leave for home. He calls out to her to show herself saying she sat by his wife and touched her womb. ‘Was it a blessing or was it a curse?’ he demands before leaving and going to the pub to confront Jack.

Jack Langtree thought Peter was dead but Nathan assures him he isn’t otherwise he would hang Jack for murder. Jack says there’s something wrong here as he was trying to rid them, the community, of evil. Nathan tells him to go and never return to his land as he is banished. Jack defiantly claims he was going anyway and that the place is damned, calling on the others to deny it, ever since Nathan returned.

Charlotte urinated on some flowers to see if she is pregnant. Gwen says she think she is. Charlotte doesn’t want Nathan to know until she is sure.

The workers are gathered in the field as the last of the grain is gathered and Charlotte recites a rhyme before everyone celebrates in the night. Reverend Denning says it has been a strange summer. Foreman Gideon apologises to Peter for what his nephew Jack did. Nathan intrudes on the conversation and asks what Peter thinks. ‘water under the bridge’ and Nathan tells Gideon to get himself a drink.

Then Nathan and his wife dance as everyone around them sings. Nathan says he feels so alive. SO SO ALIVE. NOTHING WRONG CAN HAPPEN NOW.

Then of course we need a cliffhanger mysterious stinger to keep you watching the rest of the series at this halfway point. Cut to a wet child holding a toy wooden yacht watching them. This won’t be covered in the next episode so it’s a random tease of Gabriel who was stated to have drowned in the lake.


http://www.bbc.co.uk/programmes/p03z7h8b/player


Review

There is a theme of anti-intellectualism by the common folk in today’s episode. Poor, poor, landowners being put upon by their indentured serf workforce. It is a good episode in that capacity but the series long arc regarding the Applebys takes away time from developing what would have been a far more evocative narrative.

Wait Peter didn’t die? But he isn’t seen anywhere in the rest of the series and [spoilers which you would expect his reaction to]. What happened to him? I don’t think it is explained and I spent the rest of the series under the impression he was dead.

The ending part reminds me of ‘How Green Was My Valley’ as it seems the leads have no concept what they perceive is a very rose-tinted view of the community. The workers are not celebrating their own work, not they are celebrating their masters the Applebys.

There is nothing very supernatural here really as they present Peter as delusional throughout never as someone being haunted. It also becomes jarring as we are never shown Peter seeking isolation or other things which would imply secretive behaviour. He is a misfit but otherwise seems to keep in line until the events of this episode which amount to Gideon seeing him out early one day. PErhaps the creators thought what was presented was enough but I feel an extra scene with him talking to himself in front of other village folk, not just Nathan which might have been a one-off event, would make us understand the persecution more. Presenting irrational persecution as purely irrational, giving no reason for people to single Peter out until now, doesn’t make sense in and of itself.

As a counter point we are presented with Gwen’s hedge witch behaviour (which is how she defines herself later in the series).I have to wonder if the village folk know of it or if it is kept secret (aside from Nathan and Charlotte knowing of it). If they killed Clarity for her abilities wouldn’t they also want to kill Gwen? Admittedly maybe Clarity’s ability was miraculous while Gwen’s are herbal, thus traditional and ‘good’ in the minds of the village folk, but still there seems to be double standards. We never really learn much about Gwen during the series either – she just appears in one scene after the Appleby’s arrival and she is already Charlotte’s righthand woman. Do they protect her from persecution? It makes no really sense in the narrative as everything else seems fair game for challenging by the Applebys’ modern perspective in criticising their workforce.


 

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Has anyone been watching this? It seems to not know which audience it wants to aim for and thus tries to be something to everyone but ends up nothing to anyone.

A delay on uploading as I was busy. The BBC apparently have stopped uploading preview clips to YouTube and their embed function on their own series page just gives the link not an embedded video. They also stopped doing episode specific galleries (correction they are just delayed by a fortnight or so which is fine as the images will be up prior to an international audience seeing the series but for Brits its a disservice). They must already have given up on promoting the series seriously for the British audience a third of the way into it’s run which is a shame as someone probably took promotion photos and everything and now won’t see the fruits of their labour… or maybe there will be a tie-in book with all of it in. Probably not but it used to be a given the BBC would do that with many series. I like the production design I just feel it’s scripts are not focused on depicting things effectively.