Gnomic Stanzas by Anonymous

12th century

Mountain snow, everywhere white;
A raven’s custom is to sing;
No good comes of too much sleep.

Mountain snow, white the ravine;
By rushing wind trees are bent;
Many a couple love one another
Though they never come together.

Mountain snow, tossed by the wind;
Broad full moon, dockleaves green;
Rarely a knave’s without litigation.

Mountain snow, swift the stag;
Usual in Britain are brave chiefs;
There’s need of prudence in an exile.

Mountain snow, hunted stag;
Wind whistles above the eaves of a tower;
Heavy, O man, is sin.

Mountain snow, leaping stag;
Wind whistles above a high white wall;
Usually the calm are comely.

Mountain snow, stag in the vale;
Wind whistles above the rooftop;
There’s no hiding evil, no matter where.

Mountain snow, stag on the shore;
Old man must feel his loss of youth;
Bad eyesight puts a man in prison.

Mountain snow, stag in the ditch;
Bees are asleep and snug;
Thieves and a long night suit each other.

Mountain snow, deer are nimble;
Waves wetten the brink of the shore;
Let the skilful hide his purpose.

Mountain snow, speckled breast of a goose;
Strong are my arm and shoulder;
I hope I shall not live to a hundred.

Mountain snow, bare tops of reeds;
Bent tips of branches, fish in the deep;
Where there’s no learning, cannot be talent.

Mountain snow; red feet of hens;
Where it chatters, water’s but shallow;
Big words add to any disgrace.

Mountain snow, swift the stag;
Rarely a thing in the world concerns me;
To warn the unlucky does not save them.

Mountain snow, fleece of white;
It’s rare that a relative’s face is friendly
If you visit him too often.

Mountain snow, white house-roofs;
If tongue were to tell what the heart may know
Nobody would be neighbours.

Mountain snow, day has come;
Every sad man sick, half-naked the poor;
Every time, a fool gets hurt.

by Anonymous
(12th century)
translated by Tony Conran

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Poem in October by Dylan Thomas

It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.

My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.

A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill’s shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.

Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.

It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child’s
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels

And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.

And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart’s truth
Still be sung
On this high hill in a year’s turning.

by Dylan Thomas
(August 1944)

Dylan Thomas reciting both ‘Poem In October’ and ‘In My Craft or Sullen Art’

Additional information: One of Dylan Thomas‘ many birthday poems.

The setting of the poem is Laugharne in Carmarthenshire viewed, stanza three onwards, from St John’s Hill.

Thomas called it ‘a Laugharne poem: the first place poem I’ve written‘ (letter to Vernon Watkins, 26 August 1944).

Remembrance Day, Aberystwyth by Sally Roberts Jones

Spray by the castle hurls across the rail;

The mermaid stares forever across the sea,

Dry-eyed; they lay their poppies at her feet,

But she looks away, to the movement of a sail

Far over breakers; knows not their fallen dead,

Hears not their autumn hymn or the signal guns.

Spray by the castle, spray in November air,

Yearn for the land as she for the empty waves,

(As the dead, perhaps, for their lost and silent home).

Everything empty: castle and crowd and wreaths

Seperate beings; and over them, kissing the rain,

The shape of a fish in bronze, without speech, without soul.

On Sundays remember the dead, but not here.

This is another country, another lord

Rules in its acres, who has no respect for love.

Always the sea sucks at the stones of the wall,

Always the mermaid leans to the distant sail;

Already the wreaths are limp and the children wail.

By Sally Roberts Jones

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Additional information:

Aberystwyth ( literally “Mouth of the Ystwyth [river]“) is a historic market town, administrative centre, community, and holiday resort within Ceredigion, Wales, often colloquially known as Aber. It is located near the confluence of the rivers Ystwyth and Rheidol. Historically part of Cardiganshire, since the late 19th century, Aberystwyth has also been a major Welsh educational centre, with the establishment of a university college there in 1872.

The mermaid mentioned in this poem is a bronze statue at the base of the Aberystwyth town war memorial which is considered by some to be one of the finest in Britain. Contemporary reports record that the top figure represents Victory and the figure at the base, i.e. the mermaid, represents Humanity emerging from the effects of war.  It records the names of 111 Aberystwyth men who died as a result of action during the First World war and 78 men and women who died during the Second World War. It is one of a number in the town: others are in chapels, places of work and schools.

Aberystwyth Castle (Welsh: Castell Aberystwyth) is a Grade I listed Edwardian fortress located in Aberystwyth, Ceredigion, Mid Wales. It was built in response to the First Welsh War in the late 13th century, replacing an earlier fortress located a mile to the south. During a national uprising by Owain Glyndŵr, the Welsh captured the castle in 1404, but it was recaptured by the English four years later. In 1637 it became a Royal mint by Charles I, and produced silver shillings. The castle was slighted by Oliver Cromwell in 1649.

Among Shoals of Stars by Mike Jenkins

Each night the sea

tires of its slopping and slapping

and ascends the limestone staircase

of cactus-sharp stone.

 

It lies down

where sky has been,

waving away the blue

and only hooded clouds

show its occasional restlessness.

 

Bright fish with mouths

that globe, look down on me

and the breezy whish-whish

of sea-weed is the needled

branches of every pine.

 

I see the lights

of planes as they are out

trawling for dreams.

The moon spills milk

which I drink in,

before I too lie down

to sleep among shoals of stars.

 

by Mike Jenkins

from Invisible Times

‘People, Years and Nations’ by Velimir Khlebnikov

People, years and nations

run away forever

like a flowing river.

In nature’s supple mirror

We’re the fish,

dark’s ghosts are gods,

and the constellations

knot night’s nets.

 

by Велимир Хлебников (Velimir Khlebnikov)

a.k.a. Виктор Владимирович Хлебников

(Viktor Vladimirovich Khlebnikov)

(1915)

translated by Robert Chandler

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Fun fact: This was written shortly before the centenary of Derzhavin’s death, continuing the theme’s of his last poem.