Return by Malcolm Lewis

Here is the soldier home from the War,
sailing into Cardiff. He’s startled after Palestine
by the colours on the ridge,
dead bracken, glossy, like wet army cottons,
purple coppice he can’t identify,
the mossy green of fir trees that weren’t there
when he volunteered.

The cold cuts through the suit
bought from the tallest of the Lascars,
the cuffs, inches short of his wrists,
expose his skin, now as dark as theirs,
but collier-white before he went. He looks
like them, but Christ, he’d hardly kept up.
Only pennies rub in his pocket –
the captain had skint him, the Scotch bastard.

Posted missing back at Easter,
he’d not written, couldn’t risk
the censor checking on his letter.
He’ll stay on board till it’s dark,
jump the wall, thread the back streets north,
then – the freedom of the frozen tracks –
up and over the top, past the hill farms’ yowling sentries,
down to the town where ghosts parade.

by Malcolm Lewis

Cuckoo by Dic Edwards

Again the soldiers fill the valley.
Driven by necessity
The men forge cannon
And the women spin cloth for uniforms in their parlours
Soon, the snowdrops.
Young wives weave boots from palmetto fronds
And aunts save their piss
For the nitre that makes
All the sloshing about in tears
And furnishes the men in war.

Soon, the primrose.
The children in the little games
Have nothing to say of war
But die.
The older girls knit socks for the dying.
The young men cut up the bodies playfully
Notwithstanding history’s immanence
And not yet fearful of the waking
From their drunk and bloody spell.

Soon, the cuckoo
And the cuckoo-flower;
Cuckoo-pint:
Arum and wake-robin
And navelwort and pennywort
And all the crazy flowering
Of even the monocotyledonous plants.
And in the lacunae between horrors
Much is fulfilled as the comedian entertains
And flaps the colours of war hanging
From rope made of Spanish moss.

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By Dic Edwards

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Information: Dic Edwards (born 1948) is a British playwright, poet and teacher of creative writing. His writing often touches upon political and social issues, nationalism and democracy.

Ears In The Turrets Hear by Dylan Thomas

Ears in the turrets hear

Hands grumble on the door,

Eyes in the gables see

The fingers at the locks.

Shall I unbolt or stay

Alone till the day I die

Unseen by stranger-eyes

In this white house?

Hands, hold you poison or grapes?

 

Beyond this island bound

By a thin sea of flesh

And a bone coast,

The land lies out of sound

And the hills out of mind.

No birds or flying fish

Disturbs this island’s rest.

 

Ears in this island hear

The wind pass like a fire,

Eyes in this island see

Ships anchor off the bay.

Shall I run to the ships

With the wind in my hair,

Or stay till the day I die

And welcome no sailor?

Ships, hold you poison or grapes?

 

Hands grumble on the door,

Ships anchor off the bay,

Rain beats the sand and slates.

Shall I let in the stranger,

Shall I welcome the sailor,

Or stay till the day I die?

 

Hands of the stranger and holds of the ships,

Hold you poison or grapes?

 

by Dylan Thomas


The poem read by the Welsh actor Philip Maddoc: