The Water-Diviner by Gillian Clarke

 His fingers tell water like prayer.
He hears its voice in the silence
through fifty feet of rock
on an afternoon dumb with drought.

Under an old tin bath, a stone,
an upturned can, his copper pipe
glints with discovery. We dip our hose
deep into the dark, sucking its dryness,

till suddenly the water answers,
not the little sound we know,
but a thorough bass too deep
for the naked ear, shouts through the hose

a word we could not say, or spell, or remember,
something like “dŵr... dŵr.”


by Gillian Clarke
from Letter from a Far Country (1982)
Dŵr means 'water' in the Welsh language.
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‘There Once Was A Mechanic…’ by Daniil Kharms

There once was a mechanic who decided to take turns at work standing on one leg and then on the other in order not to tire.

But no good came of this: he started getting even more tired than before and his work wasn’t coming together the way it used to.

The mechanic was called into the office where he was reprimanded and given a warning.

But the mechanic decided to overcome his nature and continued to stand on one leg while on the job.

The mechanic fought against his nature a long time and, finally, sensing a pain in his spine that grew with every day, he was forced to seek medical attention.

 

by Даниил Иванович Хармс (Daniil Ivanovich Kharms)

a.k.a. Даниил Иванович Ювачёв (Daniil Ivanovich Yuvachov)

(27 August 1936)

from Events

translated by Matvei Yankelevich

‘All all the trees go piff’ by Daniil Kharms

All all the trees go piff

all all the rocks go paff

all all of nature poof.

 

All all the girls go piff

all all the guys go paff

all all the marriage poof.

 

All all the slavs go piff

all all the jews go paff

all all of Russia poof.

 

by Даниил Иванович Хармс (Daniil Ivanovich Kharms)

a.k.a. Даниил Иванович Ювачёв (Daniil Ivanovich Yuvachov)

(early October 1929)

translated by Matvei Yankelevich

Tawny Owl by Gillian Clarke

Plain song of owl

moonlight between cruciform

shadows of hunting.

 

She sings again

closer

in the sycamore,

 

her coming quieter

than the wash

behind the wave,

 

her absence darker

than privacy

in the leaves’ tabernacle.

 

Compline. Vigil.

Stations of the dark.

A flame floats on oil

 

in her amber eye.

Shoulderless shadow

nightwatching.

 

Kyrie. Kyrie.

 

by Gillian Clarke

from New Poems

Маки (Poppies) by Innokenty Annensky

The gay day flames. The grass is still.

Like greedy impotence, poppies rise,

like lips that lust and poison fill,

like wings of scarlet butteflies.

 

The gay day flames… The garden now

is empty. Lust and feast are done.

Like heads of hags, the poppies bow

beneath the bright cup of the sun.

 

by Иннокентий Фёдорович Анненский (Innokenty Fyodorovich Annensky)

(1910)

translated by C. M. Bowra


 

Fun extra: Here is the poem performed in Russian.

‘People, Years and Nations’ by Velimir Khlebnikov

People, years and nations

run away forever

like a flowing river.

In nature’s supple mirror

We’re the fish,

dark’s ghosts are gods,

and the constellations

knot night’s nets.

 

by Велимир Хлебников (Velimir Khlebnikov)

a.k.a. Виктор Владимирович Хлебников

(Viktor Vladimirovich Khlebnikov)

(1915)

translated by Robert Chandler


Fun fact: This was written shortly before the centenary of Derzhavin’s death, continuing the theme’s of his last poem.

Discovering by Mike Jenkins

Horizontal dancing

to the sound

of the spinning earth –

vulnerable as

a frantic fly

yet ready to burst

from the house’s pod.

 

With you, we dicover

senses

that logic’s

data banks

had tried to process

into the pure expression.

 

Paper flaps like giant ferns

and there is a cave

in the corner of the room.

It is possible

to pick up

shards of shadows

to make into tools.

 

And when your hunger-screams

fly in the primeval forest

they are

half-lizard, half-bird.

 

by Mike Jenkins

from Empire of Smoke