Living In The Moment by Piet Hein

To live in the moment’s a well-worn routine

that most of the world has perfected;

for some, it’s the moment that’s already been,

for others, the one that’s expected.

 

Yet no sort of magic can kindle anew

a past that is over forever,

nor summon the future before it is due:

our moment is now – or it’s never.

 

So brief is the moment in which we may live,

and future or past it isn’t.

Whoever would know of what life hast to give

must gratefully welcome the present.

 

by Piet Hein (1905-1996), Denmark

Lot’s Wife by Anna Akhmatova

And the just man trailed God’s messenger,

His huge, light shape devoured the black hill.

But uneasiness shadowed his wife and spoke to her:

‘it’s not too late, you can look back still

 

At the red towers of Sodom, the place that bore you,

The square in which you sang, the spinning-shed,

At the empty windows of that upper storey

Where children blessed your happy marriage-bed.’

 

Her eyes that were still turning when a bolt

Of pain shot through them, were instantly blind;

Her body turned into transparent salt,

And her swift legs were rooted to the ground.

 

Who mourns one woman in a holocaust?

Surely her death has no significance?

Yet in my heart she never will be lost,

She who gave up her life to steal one glance.

 

– by Анна Ахматова (Anna Akhmatova) (1922-1924)

– from Anno Domini MCMXXI translation by D. M. Thomas

‘Blows The Swan Wind…’ by Anna Akhmatova

Blows the swan wind,

The blue sky’s smeared

With blood; the anniversary

Of your love’s first days draws near.

 

You have destroyed

My sorcery; like water the years

Have drifted by. Why

Aren’t you old, but as you were?

 

Your tender voice even more ringing…

Only your serene brow

Has taken from time’s wing

A scattering of snow.

 

– by Анна Ахматова (Anna Akhmatova) (1922)

– from Anno Domini MCMXXI translation by D. M. Thomas

‘The Road Is Black…’ by Anna Akhmatova

The road is black by the beach –

Garden. Lamps yellow and fresh.

I’m very calm.

I’d rather not talk about him.

 

I’ve a lot of feelings for you. You’re kind.

We’ll kiss, grow old, walk around.

Light months will fly over us.

Like snowy stars.

 

– by Анна Ахматова (Anna Akhmatova) (1914)

– from Белая стая (White Flock, 1917) translation by D. M. Thomas

‘I Won’t Beg For Your Love…’ by Anna Akhmatova

I won’t beg for you love: it’s laid

Safely to rest, let the earth settle…

Don’t expect my jealous letters

Pouring in to plague your bride.

But let me, nevertheless, advise you:

Give her my poems to read in bed,

Give her my portraits to keep – it’s wise to

Be kind like that when newly-wed.

For it’s more needful to such geese

To know that they have won completely

Than to have converse light and sweet or

Honeymoons of remembered bliss…

When you have spent your kopeck’s worth

Of happiness with your new friend,

And like a taste that sates the mouth

Your soul has recognized the end –

Don’t come crawling like a whelp

Into my bed of lonliness.

I don’t know you. Nor could I help.

I’m not yet cured of happiness.

 

– by Анна Ахматова (Anna Akhmatova) (1914)

– from Четки (Rosary, 1914), translation by D. M. Thomas

The Sunlight On The Garden by Louis MacNeice

The sunlight on the garden
Hardens and grows cold,
We cannot cage the minute
Within its nets of gold,
When all is told
We cannot beg for pardon.

Our freedom as free lances
Advances towards its end;
The earth compels, upon it
Sonnets and birds descend;
And soon, my friend,
We shall have no time for dances.

The sky was good for flying
Defying the church bells
And every evil iron
Siren and what it tells:
The earth compels,
We are dying, Egypt, dying

And not expecting pardon,
Hardened in heart anew,
But glad to have sat under
Thunder and rain with you,
And grateful too
For sunlight on the garden.

 

by Louis MacNeice (1907 – 1963)

Stallion by Mike Jenkins

When the night’s stallion

approaches us over the yellowing fields,

we see shafts of lonliness

in his eyes. The last wild flowers

have gone with the mares

he whinnied to, over the high-barred gate.

 

A barbed mockery of thorn-trees

and the two of us – jesting to catch

leaves feathering down – share

the hillside with the coal-hewn stallion.

 

Once, he had broken free, his spine

bridging the moor and the village,

hooves clicking the tongues of sleep.

Now, pushing flanks against staked branches,

he mules his raked flesh.

 

by Mike Jenkins

from Invisible Times