To the Muse [Exerpt] by Alexander Blok

And I knew a destructive pleasure

in trampling what's sacred and good,

a delirium exceeding all measure -

this absinthe that poisons my blood!



by Александр Александрович Блок
(Alexander Alexandrovich Blok)
(19??)
translated by Stephen Capus

‘You’re not alone. You haven’t died’ by Osip Mandelstam

You're not alone. You haven't died,
while you still,beggar-woman at your side,
take pleasure in the grandeur of the plain,
the gloom, the cold,the whirlwinds of snow.


In sumptuous penury, in mighty poverty
live comforted and at rest -
your days and nights are blest,
your sweet-voiced labour without sin.


Unhappy he, a shadow of himself,
whom a bark astounds and the wind mows down,
and to be pitied he, more dead than alive,
who begs handouts from a ghost.


by Осип Эмильевич Мандельштам (Osip Emilyevich Mandelshtam.)
His surname is commonly latinised as Mandelstam)
(1937)
translated by Andrew Davis

Baratynsky by Varlam Shalamov

	Three Robinson Crusoes
in an abandoned shack,
we found a real find -
a single, battered book.
 
We three were friends
and we quickly agreed
to share out this treasure
as Solomon decreed.
 
The foreword for cigarette paper:
one friend was delighted
with a gift so unlikely
he feared he was dreaming.
 
The second made playing cards
from the notes at the back.
May his play bring him pleasure,
every page bring him luck.
 
As for my own cut -
those precious jottings,
the dreams of a poet
now long forgotten -
 
it was all that I wanted.
How wisely we'd judged.
What a joy to set foot in
a forgotten hut.
 
by Варлам Тихонович Шаламов (Varlam Tikhonovich Shalamov)
(1949)
translated by Robert Chandler

Additional Information: The poem refers to Yevgeny Abramovich Baratynsky (Евге́ний Абра́мович Бараты́нский ) who was lauded by Alexander Pushkin as the finest Russian elegiac poet. After a long period, where his reputation was on the wane, Baratynsky was rediscovered by the Russian Symbolism poets as a supreme poet of thought.

The Fisherman by R. S. Thomas

A simple man,
He liked the crease on the water
His cast made, but had no pity
For the broken backbone
Of water or fish.

One of his pleasures, thirsty,
Was to ask a drink
At the hot farms;
Leaving with a casual thank you,
As though they owed it him.

I could have told of the living water
That springs pure.
He would have smiled then,
Dancing his speckled fly in the shallows,
Not understanding.

by R. S. Thomas
from Not That He Brought Flowers (1968)

Birth by Gillian Clarke

On the hottest, stillest day of the summer

A calf was born in a field

At Pant-y-Cetris; two buzzards

Measured the volume of the sky;

The hills brimmed with incoming

Night. In the long grass we could see

The cow, her sides heaving, a focus

Of restlessness in the complete calm,

Her calling at odds with silence.

 

The light flowed out leaving stars

And clarity. Hot and slippery, the scalding

Baby came, and the cow stood up, her cool

Flanks like white flowers in the dark.

We waited while the calf struggled

To stand, moved as though this

Were the first time. I could feel the soft sucking

Of the new-born, the tugging pleasure

Of bruised reordering, the signal

Of milk’s incoming tide, and satisfaction

Fall like a clean sheet around us.

 

by Gillian Clarke

from The Sundial (Gwasg Gomer, 1978)