They came over the snow to the bread's
pure snow, fumbled it in their huge
hands, put their lips to it
like beasts, stared into the dark chalice
where the wine shone, felt it sharp
on their tongue, shivered as at a sin
remembered, and heard love cry
momentarily in their hearts' manager.
They rose and went back to their poor
holdings, naked in the bleak light
of December. Their horizon contracted
to the one small, stone-riddled field
with its tree, where the weather was nailing
the appalled body that had not asked to be born.
by R. S. Thomas
from Laboratories of the Spirit (1975)
They are those that life happens to.
They didn’t ask to be born
In those bleak farmsteads, but neither
Did they ask not. Life took the seed
And broadcast it upon the poor,
Rush-stricken soil, an experiment
What is a man’s
Price? For promises of a break
In the clouds; for harvests that are not all
Wasted; for one animal born
Healthy, where seven have died,
He will kneel down and give thanks
In a chapel whose stones are wrenched
From the moorland.
I have watched them bent
For hours over their trade,
Speechless, and have held my tongue
From its question. It was not my part
To show them, like a meddler from the town,
their picture, nor the audiences
That look at them in pity or pride.
by R. S. Thomas
from Pietà (1966)
City of splendour, city of poor,
spirit of grace and servitude,
heaven’s vault of palest lime,
boredom, granite, bitter cold –
still I miss you rather, for
down your streets from time to time
one may spy a tiny foot,
one may glimpse a lock of gold.
by Александр Сергеевич Пушкин (Alexander Sergeyevich Pushkin)
a.k.a. Aleksandr Sergeyevich Pushkin
translated by Anthony Wood
Fun fact: Pushkin is most likely alluding to St Petersburg prior to his exile.
How bare the countryside! What dearth
How stark the hamlets’ desolation…
Long-suffering country of my birth,
poor homeland of the Russian nation.
Never will the stranger’s gaze
look deeper to perceive or guess
what hidden light there is that plays
and shimmers through your nakedness.
In servant’s guise the King of Heaven,
beneath the cross in anguish bent,
has walked the length and breadth of Russia,
blessing her people as he went.
by Фёдор Иванович Тютчев (Fyodor Ivanovich Tyutchev)
translated by Avril Pyman
Fun fact: Counted amongst the admirers of Tyutchev’s works were Dostoevsky and Tolstoy along with Nekrasov and Fet. Then later Osip Mandelstam who, in a passage approved of by Shalamov, believed that a Russian poet should not have copy of Tyutchev in his personal library – he should know all of Tyutchev off by heart.
My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.
And these poor nerves so wired to the skull
Ache on the lovelorn paper
I hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.
My hero bares my side and sees his heart
Tread; like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my loin of promise,
He promises a secret heat.
He holds the wire from this box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger’s emperor;
He pulls that chain, the cistern moves.
by Dylan Thomas
from 18 Poems
Fun fact: People speculate that this poem is about teenage mastrubation in the solitude of the toilet ever on the verge of being discovered. Meanwhile others think it’s about his writing pen… well up until the latter half.