О, этот воздух, смутой пьяный… (‘On the black square of the Kremlin…’) by Osip Mandelstam

On the black square of the Kremlin

the air is drunk with mutiny.

A shaky ‘peace’ is rocked by rebels,

the poplars puff seditiously.

.

The wax faces of the cathedrals

and the dense forest of the bells

tell us – inside the stony rafters

a tongueless brigand is concealed.

.

But inside the sealed-up cathedrals

the air we breathe is cool and dark,

as though a Russian wine is coursing

through Greece’s earthenware jars.

.

Assumption’s paradise of arches

soars up in an astonished curve;

and now the green Annunciation

awakens, cooing like a dove.

.

The Archangel and Resurrection

let in the light like glowing palms –

everything is secretly burning,

the jugs are full of hidden flames.

.

.

by Осип Эмильевич Мандельштам (Osip Emilyevich Mandelshtam.)

His surname is commonly latinised as Mandelstam)

(April 1916)

translated by Thomas de Waal

Mandelstam’s poem set to music composed and performed by the singer-songwriter Larisa Novoseltseva. Performed at the House of Journalists, Moscow, on February 24, 2010. She is composer and performer of songs and ballads on poems by more than forty Russian poets, mostly of the Silver Age. Check out more of her work on YouTube!

Beneath is the original Russian language version of the poem in Cyrillic.

О, этот воздух, смутой пьяный…

О, этот воздух, смутой пьяный,

На черной площади Кремля.

Качают шаткий «мир» смутьяны,

Тревожно пахнут тополя.

.

Соборов восковые лики,

Колоколов дремучий лес,

Как бы разбойник безъязыкий

В стропилах каменных исчез.

.

А в запечатанных соборах,

Где и прохладно и темно,

Как в нежных глиняных амфорах,

Играет русское вино.

.

Успенский, дивно округленный,

Весь удивленье райских дуг,

И Благовещенский, зеленый,

И, мнится, заворкует вдруг.

.

Архангельский и Воскресенья

Просвечивают, как ладонь,—

Повсюду скрытое горенье,

В кувшинах спрятанный огонь…

Воронеж (Voronzh) by Anna Akhmatova

for Osip Mandelstam

All the town’s gripped in an icy fist.

Trees and walls and snow are set in glass.

I pick my timid way across the crystal.

Unsteadily the painted sledges pass.

Flocks of crows above St Peter’s, wheeling.

The dome amongst the poplars, green and pale in

subdued and dusty winter sunlight, and

echoes of ancient battles that come stealing

out across the proud, victorious land.

All of a sudden, overhead, the poplars

rattle, like glasses ringing in a toast,

as if a thousand guests were raising tumblers

to celebrate the marriage of their host.

 

But in the exiled poet’s hideaway

the muse and terror fight their endless fight

throughout the night.

So dark a night will never see the day.

 

by Анна Ахматова (Anna Akhmatova) (1936)

from Тростник (Reed) / Из шести книг (From the Sixth Book)

translation by Peter Oram


A different translation of the Воронеж (Voronzh) poem. The alternative on this site is translated by D. M Thomas and is also titled Воронеж (Voronzh).

The poet Osip Mandelstam who was living in the city of Voronezh when Akhmatova visited him in February 1936. Peter the Great built a flotilla here and the Field of Kulikovo, where the Tartars were defeated in 1380 isn’t far away.