Плачущий Сад (Weeping Garden) by Boris Pasternak

 Dreadful! It drips and it listens -
 whether it's all alone in the world
 crushing a twig like lace at the window,
 or is someone watching?
 
 Palpable, though, is the pressure
 of porous earth's taut swellings,
 and far off, audible as in August,
 midnight ripens in fields.
 
 No, no sound, no witness,
 Convincing there's no one there,
 back it goes to its game of rolling
 down roofs and across gutters.
 
 I'll lift it up to my lips and listen -
 whether I'm all alone in the world,
 ready to burst out in sobs if I need to,
 or is someone watching?
 
 Silence. Not a leaf moving.
 No dot of light, just weird
 gulps and splashings about in slippers,
 the lulls full of sighs and tears.
 
 
 By  Бори́с Леони́дович Пастерна́к (Boris Leonidovich Pasternak)
 (1917)
 translated by Angela Livingstone 

A recital of the poem in Russian:

Below is the poem in it’s original Russian cyrillic form:

 
Ужасный! — Капнет и вслушается,
Все он ли один на свете
Мнет ветку в окне, как кружевце,
Или есть свидетель.

Но давится внятно от тягости
Отеков — земля ноздревая,
И слышно: далеко, как в августе,
Полуночь в полях назревает.

Ни звука. И нет соглядатаев.
В пустынности удостоверясь,
Берется за старое — скатывается
По кровле, за желоб и через.

К губам поднесу и прислушаюсь,
Все я ли один на свете, —
Готовый навзрыд при случае, —
Или есть свидетель.

Но тишь. И листок не шелохнется.
Ни признака зги, кроме жутких
Глотков и плескания в шлепанцах
И вздохов и слез в промежутке. 

Pathology of colours by Dannie Abse

I know the colour rose, and it is lovely,

but not when it ripens in a tumour;

and healing greens, leaves and grass, so springlike,

in limbs that fester are not springlike.

 

I have seen red-blue tinged with hirsute mauve

in the plum-skin face of a suicide.

I have seen white, china white almost, stare

from behind the smashed windscreen of a car.

 

And the criminal, multi-coloured flash

of an H-bomb is no more beautiful

than an autopsy when the belly’s opened –

to show cathedral windows never opened.

 

So in the simple blessing of a rainbow,

in the bevelled edge of a sunlit mirror,

I have seen, visible, Death’s artifact

like a soldier’s ribbon on a tunic tacked.

 

by Dannie Abse

from a small desperation (1968)