June would be clammy, January crisp;
and concrete solid, sand unstable.
For there was order. Real order.
People got up and went to work.
And then they watched The Happy Fellas
at cinemas. For there was order.
In pedigrees and in parades,
political police, and apparatus,
even in parodies – there was order.
People made fun, and were afraid,
only of those they were supposed to,
for there was order, real order.
An order of the bent and bashed.
In hours, in minutes, and in seconds,
in years as well, there was real order.
It would have gone on without end,
but then a certain person fell,
and all this order went to hell.
by Борис Абрамович Слуцкий (Boris Abramovich Slutsky)
(early 1960s)
translated by G. S. Smith
Fun facts: Obviously the ‘certain person’ was Stalin and his era of terror where indeed there was order, compared to the era of thaw, but I was surprised to find actually ‘The Happy Fellas’ actually does exist! It is the 1934 film Веселые ребята a.k.a. ‘Jolly Fellows’ or ‘Funny Boys’ depending on how you choose to translate the title.
Jolly Fellows (Russian: Весёлые ребята Vesyolye rebyata), also translated as Happy-Go-Lucky Guys, Moscow Laughs and Jazz Comedy, is a 1934 Soviet musical film, directed by Grigori Aleksandrov and starring his wife Lyubov Orlova, a gifted singer and the first recognized star of Soviet cinema.
The script was written by Aleksandrov, Vladimir Mass, and Nikolai Erdman (whose father briefly appears on screen as a German music teacher). It features several songs which instantly became classics across the Soviet Union. The most famous song — “Kak mnogo devushek khoroshikh” (Such a lot of nice girls) — enjoyed international fame, covered as “Serdtse” (Heart) by Pyotr Leshchenko. Music was by Isaak Dunayevsky, the lyrics were written by the Soviet poet Vasily Lebedev-Kumach.
Both Orlova and her co-star, the jazz singer and comic actor Leonid Utyosov, were propelled to stardom after this movie.
Slutsky, of course, is mocking how the film is sacchrine, state sanctioned, sanitised humorous entertainment with no challenging elements or anything that might make the audience think about their social hardships they are living through during Stalin’s era of non-conforming people being made to ‘disappear’ for speaking or acting out, gulags and starvation. Everything is fine citizen, watch the film and feel good about life… everything is in order. No one deviates, no one transgresses, no one thinks or acts differently. There is order – or else!
Rambling At The Bridge Head 