Tawny Owl by Gillian Clarke

Plain song of owl

moonlight between cruciform

shadows of hunting.

 

She sings again

closer

in the sycamore,

 

her coming quieter

than the wash

behind the wave,

 

her absence darker

than privacy

in the leaves’ tabernacle.

 

Compline. Vigil.

Stations of the dark.

A flame floats on oil

 

in her amber eye.

Shoulderless shadow

nightwatching.

 

Kyrie. Kyrie.

 

by Gillian Clarke

from New Poems

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Eurovison 2018 Grand Final

So as per tradition here is the list of the Eurovision grand final entrants with videos of their songs and the contest’s results along with my usual irreverent comments… not that anyone takes Eurovision that seriously anyway hopefully.

Each act drew in which half of the Grand Final they would perform. As host country, Portugal drew its exact starting position (8) during the Heads of Delegation meeting in March. The running order is being decided to ensure each act has the opportunity to stand out. The producers look at the genre of music, whether a song is performed by a solo singer or group, the use of props, music tempo and various other aspects of each act. In other words the run order is ‘quiet, LOUD, quiet, LOUD, slow, FAST, slow, FAST, etc’

The running order in the finale was:

  1. Ukraine – MELOVIN: Under The Ladder

He is a vampire… or one of the goths off South Park. During one of the green room interviews the presenter, via a translator, asked him about it… That aside the backing singers paw the air and he sets fire to a set of stairs leading up to a grand piano. Common practise for Eurovision then… The song is generic so I can’t really comment on it. It was okay but forgettable thus they sacrificed him as the first act in order to warm the crowd up.

  1. Spain – Amaia y Alfred: Tu Canción

She looks like a young Rachel Weisz. He looks like the Jonas brother Disney locked away but has escaped. This is the ‘we really are in love, no honestly! – we’ve been in love the past 3 weeks/months… around the time we were put forward for the contest’ entry. It was a good ballad. I wish it had done better. I wonder if they’ll be together now the contest is over.

  1. Slovenia – Lea Sirk: Hvala, ne!

Electro beat, lots of synchonised dancing and a costume that makes me think she is going to run off into a plane and go do a bit of wingsuit glding like a flying squirrel… It’s meant to a motivational song but… it comes across like an exercise class down the local recreation centre by a motivational speaker.

  1. Lithuania – Ieva Zasimauskaitė: When We’re Old

This is the first of the ‘wait is that being projected as a hologram so the audience there see what we at home are seeing?’ moments. A 1970’s dress, twee millennial song and baiting ‘isn’t being in love for a long time great?’ for votes. Then to cap it off her husband comes on and awkwardly gets her attention before giving her a hug. Rewatch the clip for the moment he taps her to get her attention. It was a hilarious micro-transaction. Also do Eurovision have a ban on kissing? Becuase that would have been more appropriate as it seems this was a planned moment and would have been more fitting. It’s a nice song… but like all twee minor key ‘girl in love’ music I would likely be out for blood if having endure it repeatedly over the space of a a short amount of time. This sort of music seemed to be everywhere a few years ago.

  1. Austria – Cesár Sampson: Nobody But You

A good, soulful, song. His shirt is of a fabric last seen worn in the early 90s. Actually seeing it again I notice a ruffle on it’s left sleeve. It looks jut like a basic tshirt with a rubberish surface but apparently not. The song starts off well by by the end gets a bit too repetitive for my liking but what are you going to do really? It was a good effort.

  1. Estonia – Elina Nechayeva: La Forza

Sing opera. Wear an elaborate dress they project imagery on. I like it but it feels ridiculously melodramatic even for the Eurovision let alone an operatic performance. I really liked it but it was inevitable something more ‘accessable’ would win… [rant incoming…]

  1. Norway – Alexander Rybak: That’s How You Write A Song

The second, and most motable of the ‘does the audience there see all these effects or do they just see him miming?’ moments. The song title is arrogant thus his manner and everything becomes ‘I’ve done it once and I’ll easily do it again compared to these Eurovision amateurs. The backing dancers look like they escaped from a 90s housing estate. The man’s face at 1:32 of the video sums up everyone’s reaction to this song… Then the guy pulls a violin out his backside and does a shuffling dance. No one in the audience is singing along though at one point in the song he calls on them to. Yeah…

  1. Portugal – Cláudia Pascoal: O Jardim

Pink hair = SJW agenda? It sounds like Dido or the XX but it’s an original song but the influence is there… It came in last place at the end of the night which really was undeserved as it had more merit than some other songs. Ultimately it was a victim of ‘on the night’ having a weak vocal performance. I don’t know if it was the best choice to have the second person come on stage for that one refrain really… who also hasa very retro 80/90s hairstyle. It was a good song so it’s a shame it did so poorly.

  • break position

    The hosts go about goggle eyed interviewing people, making jokes and coming across incredibly awkward even for Eurovision hosts… especially the one with the constant look of shock doing all the work in the green room unfortunately.

  1. United Kingdom – SuRie: Storm

There was a stage invasion during this performance and apparently they’ve chosen to not give the ‘grand finale’ version but the Jury Show version done the night before the final. But fear not for here is the moment!

It was a decent song but admittedly nothing spectacular. I think we should have done better to be honest but then as the memes of Twitter commented Brexit no doubt played its part and everyone joked we should win and then deny anyone coming for the contest visas. But then there’s hold over from the Iraq war resentment and such too no doubt. Some countries, a few which were surprises, gave us points and there were jokes they’ll be seeing a boost to their tourist as an act of their good faith. I think what got to people was the lack of sympathy votes of a point or two from all but a few countries. The audience at the venue however gave her a rousing cheer so t least she has that. She recovered incredibly well after the stage invasion and was given the opportunity to perform again at the end of the running order if she wanted but she declined. As for the stage invader he was rapper, political activist and serial stage invader ‘Dr ACactivism’, who was plugging his book with a slogan on his t-shirt.

  1. Serbia – Sanja Ilić & Balkanika: Nova Deca

Obviously the pipe player got ‘MVP of the night’ no question. The male vocalist reminded me of Rasputin from Hellboy. You know it’s around now I began noticing how few of the perofmrers seemed to be wearing any colours besides black and white tonight which is a massive shift from previous years… it’s ll getting a bit too earnest nowadays. Nonetheless I enjoyed it. Later on, in the green room, apparently the singer kissed the presenter there unexpectedly and people on twitter were commenting on informed consent and such…

  1. Germany – Michael Schulte: You Let Me Walk Alone

The song reminds me of James Blunt, David Gray and singers from the early 2000s. People compared him to Mick Hucknell. He, like the Lithuania entry, has old photos showing in the background to get the emotional response. He was decent in fairness but it’s not the sort of music I’ve ever found appealing.

  1. Albania – Eugent Bushpepa: Mall

I really enjoyed this. His jacket’s design was interesting. People thought he looked like Elijah Wood. I’ve not much to add really. It reminds me of any number of songs I hear as the title song for computer games or at the end of films during credits – but in a good way.

  1. France – Madame Monsiuer: Mercy

How did this not steamrolled over other acts when getting points? They performed 13th and came 13th… It had it all… a message, the performance, while a bit weaker than previous ones, was still strong, they won over the audience… Maybe it’s just it’s very up my street and it charmed me. Admittedly the ‘half skirt’ they both are wearing and her shoulderpads are a bit ‘odd but not in an eccentric way’. The red shoes seem a bit unco-ordinated with the rest of their outfits barring her lipstick and nail polish.

  1. Czech Republic – Mikolas Josef: Lie To Me

Geek chic… or I should say ‘unflattering depiction of intellectual characters in a comedy from the early 90s’… Everyone was wondering what was in the backpack and kept comparing him to the lead character in the film ‘Kingsman: The Secret Service’. The dancing was good. The song was decent pop. Um, yeah nothing to be critical off except the costume to be honest. Probably a nice guy but the whole thing gave an attitude he probably is a bit of a wanker ‘lad’ going out on a drinking session on a Friday night in costume for some reason like a stag do…

  1. Denmark – Rasmussen: Higher Ground

Everyone compared the red haired singer to a character from Game Of Thrones. This was a great anthemic song… yet also only got middling vote numbers by the end. This year was baffling. Admittedly the ‘stomping in formation’ choreography is a bit funny but overall it was a good performance. I get it was too ‘one note’ or something compared to others who seemed to completely shift their musical style mid-song this year.

  1. Australia – Jessica Mauboy: We Got Love

Indigenous Australian lady performing for her coutnry and apparently had quite the heartwarming tory behind rising from an amateur ordition on a reality show all the way to performing here. As people noted her dress was far too short for some of the dance moves she was busting out towards the end. Or to be more exact the cameraman’s angle was clearly aiming to get a gratuitous shot or two. Nonethless it was a strong entry from Australia as per usual… but also came near the bottom. On Twitter were a lot of photoshopped maps reminding everyone that Australia isn’t in the southern hemisphere but actually just the other side of Ireland.

  • break position

I can’t remember what happened. More ‘comedy’ and interviews. I think this is when the presenter got an unexpected kiss and everyone suddenly began to decry informed consent and such. Who knows? I didn’t see the exact moment myself just the stillframe shots of her reaction… which looked just like her normal face as she had a PTSD stare the entire evening.

  1. Finland – Saara Aalto: Monsters

If this had been the second act of the evening you would think there was a horror theme to tonight’s finale. People said the backing dancers looked like Fascists or Star Wars rejects. People thought this, rather than the Irish entry, would be the gay anthem of the night. The spinning wheel and going upside down was good. The song is a bit too repetitive for me but there we go. This was second to last in the final votes of the evening which… well it was as good as many others but it wasn’t bad and at least had the backing dancers in interesting costumes.

18. Bulgaria – EQUINOX: Bones

As people said the female singer has a very Lady Gaga/1980s cyberpunk look though she reminds me of Gwen Steffani more so. The song is decent pop though its lyrics are a bit repetitive but whatever… Fun fact: I almost left this off the list by accident somehow.

  1. Moldova – DoReDoS: My Lucky Day

The staging and perfromance is classic Eurovision. The song is classic generic Euovision in sound reminding me of Abba… but that’s it. They’ll be on lots of ‘hilight clips’ no doubt. It’s just all very ‘Scooby Doo chase’ and cheesy 70s sex romp comedy really…

  1. Sweden – Benjamin Ingrosso: Dance You Off

Is this a remix of Justin Timberlake’s ‘Rock Your Body’ song and it’s music video staging? The intro part definitely makes you think of it. So that’s 80 seconds before he actually does his own song… then goes back to the copyright infringing part. Then he begins doing drunk dad at a wedding ‘I used have some moves in my youth’ dancing… The staging is nice for a pop song in fairness but it is quite bland to me.

  1. Hungary – AWS: Viszlát Nyár

It reminds me of a lot of recent rock music with the screamed lyrics. It’s in Hungarian so that’s novel but I swear I’ve heard parts of this in other rock music recently. Someoen joked it was nice to see the band ‘Bullet For My Valentine’ getting work. I can imagine this being on the soundtrack for an action film aimed at teenagers. I enjoyed it and it’s a change of pace for this competition.

  1. Israel – Netta: Toy

Chicken noises. What I’m assuming will get claims of ‘cultural approriation’ from certain quarters. It’s the sort of act that always gets included in the highlights for being flamboyant and eccentric. The sad thing is you can hear she has some ability as a singer but the nonsense noises and such just make it unpalatable. It’s not so much the act itself that bothered people as much as this is what won in the end… personally I’m fine with such entries but there were some that were seriously worth doing better and to have this as the victor feels like it rubs salt in the wound for those entrants.

  1. The Netherlands – Waylon: Outlaw In ‘Em

A Netherlands country singer, who worked with Waylon Jennings before his death so is definitely trained by the best, and his backing dancers who honestly must have been at a loss at what choreography to do to the song short of line dancing… so chose gurning and flailing. The costumes for this all seemed to be wrong. The song was good country music in fairness but I think no one was sure how to stage it at all… also… leopard print? Really?

  1. Ireland – Ryan O’Shaughnessy: Together

A milquetoast song. Due to this one having the dancers depict a homosexual relationship and the tattoos of other acts the showing of the Eurovision song contest was banned in China as it was against their broadcasting regulations. The dance choreography was good. The song is a bit too scchrine for my tates what with the sustained ‘whine’ sounding note. People want Dustin the Turkey to have another go at Eurovision and to go represent Ireland in Israel next year.

  1. Cyprus – Eleni Foureira: Fuego

People said she was a Poundshop (i.e. budget/cut price/cheap knockoff) version of Beyonce. In fairness the dancers are all incredibly well synchonised but this is definitely more about the dance than the song which I swear I heard last year or recently at least. Maybe the dance reminds me of those ‘man in high heels’ ancers that were on British adverts in Britiain a few years ago (if you don’t know what I’m on about by all means go look for the ‘Money Supermarket’ adverts on YouTube). To be honest if this had been performed earlier in the running order I don’t think it would have had the votes it got in the end but it did at least stand out amongst this year’s entries.

  1. Italy – Ermal Meta e Fabrizio Moro: Non Mi Avete Fatto Niente

This seemed like the definite winner to me. However on the night the staging and such was a bit bare bones. I still think, despite getting 5th, this should have done better. This was Italy sending out it’s big hitters with an anthemic song with a message…

THEN THERE WAS AN INTERLUDE WHICH SEEMED LIKE IT WOULD NEVER END. It was slow songs (ONUKA last year were brilliant and other years they’ve had people like Justin Timberlake but it fell on it’s face this year save informing anyone who wasn’t aware that last year’s winner had a heart transplant and is in good health now), terrible comedy sketches by the presenters, interviews, cut aways… it just seemed like an eternity to many people on Twitter with some professing they had lost consciousness or grown a beard in the meantime.

But then finally the votes came along. The world rejoiced… for a moment.

The highlight being the greeting ‘hello humans’… as if the woman speaking was a humanoid lizard or something. The low light being the needless booing when the Russian judge appeared. It’s hard to say things are not political when you have such pantomime behaviour like that…

The Voting results in full

  1. Israel 529

  2. Cyprus 436

  3. Austria 342

  4. Germany 340

  5. Italy 308

  6. Czech Republic 281

  7. Sweden 274

  8. Estonia 245

  9. Denmark 226

  10. Moldovia 209

  11. Albania 184

  12. Lithuania 181

  13. France 173

  14. Bulgaria 166

  15. Norway 144

  16. Ireland 136

  17. Ukraine 130

  18. The Netherlands 121

  19. Serbia 113

  20. Australia 99

  21. Hungary 93

  22. Slovenia 64

  23. Spain 61

  24. UK 48

  25. Finland 46

  26. Portugal 39

Thus Israel won. The gag entry won.

I guess, in a year of such diverse acts, it proves that in such situations where there is so much choice to suit different people’s tastes it’s ultimately the lowest common denominator which ends up rising to the top… and for Eurovision that is novelty acts.

I can’t wait to see how Israel deals with this. Everyone complained about going to Russia due to any number of reasons. Meanwhile everyone will act like it’s perfectly fine entering a country which [insert whatever is the current news coverage when you’re reading this regarding any middle east conflicts and such] happening on it’s borders if not inside them. It’s going to be fun finding out which acts will be barred from entering due to political reasons just as the Russian competitor was barred from entering Ukrainian territory last year and told to perform via satellite feed if at all… [Fun fact: it was the same person meant to perform this year but she didn’t make it through to the grand final].

Usually I enjoy the contest but the near silence regarding the stage invasion by the (even more wooden than usual) presenters acknowledging it and the underwhelming tone of the event, as a whole, really made this worse than many recent years. There were a few outstanding songs but the subdued tone of it all means this year will be quickly forgotten. I think we have all got used to the spectacle of elaborate staging in recent years and that was something that felt like it was missing this year. Perhaps there’s a much tighter budget or something and if so it has had a detrimental effect sadly.

Eurovision 2018 Entrants

These are in alphabetical order and I’ll do a follow up of the live finale in due course.

For coverage of the Grand Final go to Eurovison 2018 Grand Final.

Albania – Eugent Bushpepa: Mall

Uplifting song. It’s the sort of thing that’ll get used in advertising or a feel good TV drama. Not sung in English which hopefully will be the norm this year as I would prefer performers to do their entries in their native language since this is meant to represent each country and not compete for homogeneity. (fun fact: if you look that word up on Google the example sentence it gives is “”the cultural homogeneity of Europe”. But I would comment on that being British and therefore leaving the EU via BREXIT…)

Armenia – Sevak Khanagyan: Qami

Another ‘not sung in English entry’. Very soulful. It’s ‘end credits’ music for a story with a bittersweet ending. It really builds in intensity towards the end. I really like it.

Australia – Jessica Mauboy: We Got Love

I didn’t mind Australia being involved that one year but it’s a little odd to have them in the EUROvision song contest… Inevitably, as seems common nowadays with English language singers, she sounds slightly American. An energetic song and definitely a ‘get up out of your seats and dance’ one. Enjoyable but it doesn’t really stand out. A good entry nonetheless. I can see this becoming someone’s favourite song if it was released unconnected to the Eurovision. Good driving or motivational music for working out due to it’s driving beat.

Austria – Cesár Sampson: Nobody But You

He reminds me of Aloe Blacc’s song ‘I Need A Dollar’ from a few years ago. Kind of a generic pop song as it progresses. I mean I could say that of others but this actually made me think that particular thing… I like the official video for actually doing something a bit more experimental. It’s alright but it seems to rely on the refrain a bit too much for it’s impact. I like it but I can’t see it winning. It gets a bit too repetitous towards the end lyrically.

Azerbaijan – Aisel: X My Heart

This one feels a bit sped up as if you’re playing the video at 1.25 speed on YouTube and yet her voice is soft and restrained… then it kicks it up a gear. It’s a bit ‘Eurivosion anthem’ paint by numbers. There are elements in it that remind me of a number of songs of recent times. Especially with the alternating soft, LOUD, soft, LOUD, juxtapositioning. I feel like this will be an also ran unless the performance at the finale pulls something out the bag. This is the sort of song that is popular on the radio in the summer so maybe it’ll get votes.

Belarus – ALEKSEEV: FOREVER

Looks like the actor Stuart Townsend or musician Pete Doherty in his promo photo. Opens his video by ‘cutting’ his hand for ink and therefore lyrics to bleed out. Pretentious… The song sort of shifts tones a bit too suddenly. It starts off as one thing and shifts to a totally different style. Nevermind he says ‘its something me must call dream’ when you would probably say dreams in that context so the English used is questionable if it was double checked at all. It’s very late 80s/early 90s feeling. I can’t get a grip on it. There’s elements I like but others I just feel are too jarring to allow me to say I like it as a whole. Also it has that repitition of one line issue.

Belgium – Sennek: A Matter Of Time

Instantly I like this song! It reminds me of Moloko or Portishead – that sort of era of music. It, unsurprisingly, considering what she has worked on, has a ‘James Bond film theme tune’ feel to it. I wish the initial ‘echo, echo’ burst of energy was better incorporated; it would have been better to keep the more minor tone until where the second chorus occurs in order to make it have more of an impact towards the end. Another one I’m rating highly.

Bulgaria – EQUINOX: Bones

The intro is very ‘now’. The members haven’t worked together before but it really feels like a well oiled machine. The lyrics are a bit odd regarding ‘I love beyond the bones’. It’s trying to sound deep but it’s like they took a phrase from a randomised English phrase generator and worked it into the song. It’s well made but I can’t say it’ll get far though I hope the members work together again as there’s a seed of potential there. It’s an intro song for a murder drama on TV.

Croatia – Franka: Crazy

The official music video is a high quality production. Another slow, seductive, song. The ‘love, love,love’ bit is a bit too severe a break and then the ‘voice over’ like bit will be interesting to see incorporated. I can’t say it’ll get far to be honest. It’s kind of bland once you step back from it. Another where they add bits that break the tone as if there’s some obligation to do so for the contest and it ruins the song effectively.

Cyprus – Eleni Foureira: Fuego

There’s a nice setting for the official video. It sounds like there’s autotuning to a lot of the vocals which personally I don’t like. It’s very upbeat and another ‘get up and dance’ one. However it also sounds quite generic. I wouldn’t notice this standing out if it was playing on KISS FM or another ‘current music’ radio station. In the official video she has a few ‘nude colour’ clothing scenes but that won’t sway the judges in the end if that’s her costume for the finale. It will however for home votes by horny dads and teenage boys no doubt… except men tend to not vote for these things anyway according to statistics. Honestly this song could have come out ten years ago and you wouldn’t realise it. It’s ‘early era Rhianna’ if you wanted a simple description.

Czech Republic – Mikolas Josef: Lie To Me

Geek chic look. Upbeat but maybe a bit too harsh an intro tonally. The trumpet segway makes it stand out but… it’s clean cut pop but personally it’s a bit ‘rushed’ feeling in it’s tempo. The official video has some visuals reminiscent of Pharell Williams from a few years ago so maybe they got the same video director for this. It’s an okay song but not one I would want to hear repeated too often. Its’s a ‘wake up’ song they’ll probably put about half way through the running order.

Denmark – Rasmussen: Higher Ground

Visually distinct from the more clean cut, clean shaven, entrants. Much more sombre intro and becomes anthemic. Straight away I really like this immensely and it has that distinctly Nordic aspect to it. Their official video isn’t a ‘music video’ like the others but them performing to an audience. That’s refreshing. It’s the sort of song I would like outside the contest but it’s not got that ‘victory grabbing’ je ne sais quoi depending on the crowd on the night…

Estonia – Elina Nechayeva: La Forza

The song reminds me of the music from the Drakengard/NeiR game series. She also performs to an audience. This is a very traditional Eurovision entry. It’ll no doubt do well for that but is it enough? It’s interesting to have classical singing at the contest so who know this might just do it. Singing in Italian might get them some Italian votes potentially though, as I’ve said before, I would prefer nations perform in their native tongue.

FYR Macedonia – Eye Cue: Lost And Found

Eye Que… it’s meant to be a homophone of I.Q. But makes me think of some surrealist painting of eyes queuing in a post office… She sounds very American. It’s a very professional song and official video. It’s a good song but… will it stand out enough to make an impact? The ‘interludes’ seem to cover a variety of styles as if trying to have something for everyone which might put people off. It was enjoyable and eclectic while not being silly. Hopefully it gets them some international coverage and the band will see increased sales after since they’re definitely good albeit not my thing personally. Also cudos on having a guy whose got a receded hairline for once in the competition’s history. Either you’ve a full head of perfectly quaffed hair or our a shiny baldy man… there’s no in between usually.

Finland – Saara Aalto: Monsters

She was the voice of Anna in the Finnish dub of Disney’s Frozen apparently. The music video is good. The song feels generic. You’d dance to it in the club but honestly would forget it moments later. It’s very ‘Eurovision dance music entry’… even for a Eurovision entry…

France: Madame Monsiuer: Mercy

They look like a parody of the stereotype of the French Newwave or how people stereotype Beatniks and, in general, the French at a nation or people at a poetry reading… ‘Look how art house cinema we are’ The song is very good and I’ll listen to again though it definitely has ‘1980s’ tones to it. I have mixed feelings about this. It definitely stands out but it won’t win like other stand out performances have done in the past depending on how it does on the night. Also the pun of ‘mercy’ and the French word ‘merci’ is a bit laboured but then I could say that of a lot of lyrics outside the contest too. Very good. I would listen to more by them. It’s going to do very well, I’m certain, if not possibly win.

Georgia – Ethno-Jazz Band Iriao: For You

That name is a bit on the nose… it almosts sounds like a library classification of what they are. Jokes aside this is really up my street so I’m biased. I want this to win. Even if the intro sounds like it’s leading into a nursery rhyme… It’s just very emotive and has this wonderful soothing impact on you. The sort of song played over a scene of victory as people rejoice. I WANT MORE! In fact when going through the entrants in alphabetic order before the contest I replayed this a second time and it was the only one so far – so that should tell you how much I like it.

Germany – Michael Schulte: You Let Me Walk Alone

It’s bland. It’s a bit like James Blunt, David Gray or one of those singers from around that time.. He’s not a bad singer but it’s not going to get much of a reaction. I wouldnt be surprised if he’s put early on or very late in the proceedings as an also ran entry in the running order. The information on the site more or less described him as a YouTube sensation who sings covers… take that for what it means to you. Once the song’s tempo increased it was much more enjoyable but it was right at the end once most will have tuned him out.

Greece – Yianna Terzi: Oniro Mou

Celtic pipes like intro. It’s a good song and video (if a little pretentious)… but I can’t see it winning. It’ll do well based purely on the capability of the performer on the night. I can imagine this song playing over a montage of someone going over a landscape… which is what the official video depicts with her in a pit. It’s humorous in an all too earnest way.

Hungary – AWS: Viszlát Nyár

‘Modern metal band’ according to themselves. It will definitely standout and could win for being so different. It reminds me of a lot of the ‘soft rock’ sound in recent years. More about screaming than audible lyrics. Actually if you’ve heard the professional lead vocalist ‘screamers’ in such bands and wondered what they would sound like if the lyrics were audible then this is the case study for that. It’s enjoyable as a change of pace from the other entries but it depends who’ll be voting on the night how well it will do. As for me I’ve heard this sort of song a number of times by other bands and nothing stands out in and of itself save they’re of course singing in Hungarian.

Iceland – Ari Ólafsson: Our Choice

A 19 year old who has been in musical theatre. The ‘have a break’ song entry they’ll put after a more energetic one in the running order. It’s incredibly bland and inoffensive. This could have been performed in any year of the Eurovision and not been out of place. It’s the most generic song entry I’ve witnessed… I’m sure he’s a very good performer but the song is incredibly bland.

Ireland – Ryan O’Shaughnessy: Together

He was an actor in an Irish soap opera Fair City. A nice relaxed song. It’s enjoyable. Hopefully it’ll do quite well. There’s not much to add really. The official video depicts a, presumably, gay couple… the dancing is well choreographed as they dance through the streets.

Israel – Netta: Toy

Is she a ‘gag’ entry? The kimono and hair makes her seem so. The video all but confirms the ‘big character’ image… If you took out the bizarre vocal ‘clucking’ bits at the start and during it then this is a good, infectious, song with a very ‘of the moment’ looking music video. Will it win? Probably not but it’ll be a highlight of this year. [edit: Apparently she’s one of the favourites this year so what do I know?]

Italy – Ermal Meta e Fabrizio Moro: Non Mi Avete Fatto Niente

Italy bring out the big guns with an aim of winning at all costs. This will win or come within the top three without question. The official video has lots of political imagery to all but demand points being awarded by the judges viewing it as a protest song. I didn’t like when Ukraine did that a few years ago, let alone the outright ostracisation of the UK entries after the Iraq war, so I prefer politics or any allusion to it be a faux pas in the contest but then with the block voting, despite their best efforts to stop it, and what happened to Russia last year it seems unavoidable. The song is in and of itself excellent. It’s blown everything away so far while going through the entries in alphabetic order. Very anthemic. It’ll definitely be a highlight.

Latvia – Laura Rizzotto: Funny Girl

Woof. This is the sort of bittersweet song I enjoy so without question is one of the highlights for me. The music video is also good though the flashes of harlequinn makeup look needlessly silly like a teenager trying to be spiritually deep because they listened to some sad music. It stands out from many of the others but I think it wont win though it’ll get good scores. I would listen to more by her after the contest nonetheless.

Lithuania – Ieva Zasimauskaitė: When We’re Old

One of those chocolate box ‘spiritually uplifting’ singers like Nora Jones. It’s a nice slow piece and should do well but the winners of Eurovision usually have stand out presentation, a punchy tone or, as last year, some sort of story behind them if they’re a slower piece. It was good but might be too jarring a minor key shift when compared to other entries with the major key, bombastic, songs. She’s good though and I would be interested to hear what else she has done.

Malta – Christabelle: Taboo

The official video seems needlessly cinematic at the start with a Mad Max: Fury Road tone. It actually distracted me from the song. Once it gets going to reminds me of ‘Warriors’ from last year at times but can’t maintain the same impact. It starts building up then suddenly cuts into this song. Also the singer reminds me of the actress Shona McGarty who plays Whitney Dean on BBC’s Eastenders…

Moldova – DoReDoS: My Lucky Day

Folk-pop… sorry they won me over instantly within a few notes but it’s not anything special. Infectiously energetic and fun in the moment. In 2017, DoReDoS won the contest New Wave in Sochi, Russia and there they caught the attention of Russian singer, songwriter and 1995 russian participant Philipp Kirkorov, who composed the song My Lucky Day for DoReDoS’ entry for the Moldovan national selection for the Eurovision Song Contest, O melodie pentru Europa 2018. The songs good as an entry but I won’t recall it after this year’s contest despite what I said… it’s somewhat forgettable and I can see that happening during the votes depending where it is in the running order.

Montenegro – Vanja Radovanović: Inje

I like the music video’s cinematography. I really like the song initially and its orchestral instrumentation. However he looks like the bastard half-brother of Peter Serafinowicz… um it’s okay. I think I’m just distracted too much to really say much about the song itself…

Norway – Alexander Rybak: That’s How You Write A Song

The video is well done. That song name though is a bit cheeky any entry let alone by someone who won the Eurovision contest in 2009 thus it comes across as quite arrogant on his part. It sounds like the sort of upbeat happy song with a ‘sing along’ bit that would win the contest… however I’m bitter and thus hope someone else wins because it kinds of screams he’s got an ego with this entry. It’s the British way: we like underdogs but once you’re on top we want to knock you down…

Poland – Gromee feat. Lukas Meijer: Light Me Up

Festival dance music. After the previous entries Poland has played it relatively safe this year with a strong entry. It could win but it’s not the sort of music I listen to personally. It just kind of washes over me and sounds like all ‘anthemic summer dance festival’ music. The guy with the hat looks like the white bastard lovechild of Pharrell Williams and Will.i.am…

Portugal – Cláudia Pascoal: O Jardim

YES! THIS SONG! A striped back focus on lyrics, vocals and accompaniment… however the lead vocalist in the video does sound like she’s risking having ‘off key’ moments when performing in the final… but at it’s core this is the sort of thing I would want to see more of. Then again it’s this sort of striped back, no hiding behind vocalisers and other tricks, performance which won last year so… maybe this year they’ll opt for omething completely different.

Romania – The Humans: Goodbye

The group name combined with the song title… that’s an interesting choice. Maybe they’re robots. As for the song… it’s a bit dreary at the start. On the whole it’s very Bonnie Tyler (or another 80s female rock singer) with a middle aged garage rockband doing a gig down the pub… Enjoyable but I can’t see it going anywhere.

Russia – Julia Samylova: I Won’t Break

A modern style music video. Auto tuning. Repetitous quasi-dance music… but it’s Eurovision so it fits in. The lyrics are good but I don’t think it’s enough. If it’s to stand a chance they’ll have to pull off something exceptional with the staging. She’s in a wheelchair which reminds me of Poland’s entry a few years ago. She did the opening on the Sochi Paralympics in 2014. In case you forgot Russia got ‘banned’ last year so she was meant to perform then but they let he do it this year instead. It’ll end up an ‘also ran’ and likely due to current attitudes receive few votes if the attitude from last year carries over to this year. It happened with Britian due to Iraq and it’ll happen to them too possibly…

San Marino – Jessika featuring Jenifer Brening: Who We Are

Dancing toy robots and an unflattering costume reminding me of the 1970s… then a rapper in a yoga outfit. It’s an also ran. I can’t add much really. It’s a talent contest entry and looking at the information about them that’s more or less confirmed…. a nice effort but… no where near the quality of others.

Serbia – Sanja Ilić & Balkanika: Nova Deca

Balkan traditional music styles fused with rock equates to music I like. I will defintely be checking out more of their music but I can imagine it’s not everyone’s thing. The costumes for the women aare a bit silly but then it’s Eurovsion so it’s all in keeping I guess. If anything I would have preferred it to stay closer to the traditional aspects or was something like ONUKA’s Vidlik…

Slovenia – Lea Sirk: Hvala, ne!

I read the information on her and it’s basically ‘she finished each stage of education early with flying colours’. The offical video is of her performance on stage. It’s good but the song starts with the lyrics ‘my name is Lea’ and then her offering the audience advice on not accepting negativity from others. In others words if she wasn’t a single person’s creation I would swear it was written by a commity of Disney writers the message so trite and the performance so by the numbers. Also epilepsy warning if you want to watch the video… though you probably watched it first before reading this and are on the floor convulsing… She is an excellent ‘technical’ performer and composer but like such people she has all the technique down but none of the raw je ne sais quoi of ‘creative’ genius… She’ll go far in her career but will be outshone by others inevitably which is a shame.

Spain – Amaia y Alfred: Tu Canción

A lover’s duet. I will be shocked if this doesn’t do well. It’s very honest and really should. Sometimes these things come off as cheesy but vocally this really works. Who knows maybe it’ll (hopefully) win! It just has winning entry written all over it without feeling overly manufactured.

Sweden – Benjamin Ingrosso: Dance You Off

1980s synth music. I like it but it’s a taste. Of course the 80s are on trend right now with the younger generations so it was inevitable someone would appeal to that era’s style as openly as this while mixing some moden aspects. It’s okay. I can’t honestly see it going too far though it might do okay during the votes depending how it goes on the night. It’s a bit ‘Justin Timberlake’ sounding.

Switzerland – ZiBBZ: Stones

Siblings who describe themselves as each others soulmates… incesty just like last year’s winners. The song was meant for a Canadian singer but they used it for themselves instead. She’s got a widebrimmed hat and he’s got a topknot. She’s toured with theatre productions and he won a drumming contest. They had five seasons of their own reality TV series. Anyway the song is pop rock and okay but doesn’t stand out really.

The Netherlands – Waylon: Outlaw In ‘Em

Wannabe American Country music singer… but he did go work with Waylon Jennings before he died in 2001 so… he is one. The song was written with Ilya Toshinskiy who was born in Obninsk, Russia but works in Nashville. It’s a very different song to what’s heard at the Eurovision but is this the slow creep of American influence into Eurovision when it’s been one of the few bastions where American influence had been minimal until recently? I don’t mind it but it’s at risk of losing distinctly European sounds despite the efforts of some acts to preserve, and bring into the modern era, their cultural influences. Unintended American imperialism. It’s a good song nonethless.

Ukraine – MELOVIN: Under The Ladder

His promotional photo makes him look like a male model. On stage he looks like a drama student who takes himself too serious to the point you cringe. I think it’s the shirt more than anything. He’s like one of the Goths from South Park… The song is okay and the staging with the on fire stair case is a nice touch but… eh he’s an also ran to be honest.

United Kingdom – SuRie: Storm

It’s a nice song. It will be used on TV promotions and adverts. I swear I’ve heard it used for those at some point but I can’t have. Tonally it’s different from many other entries and in the minor key. Really the UK is still clawing it’s status back after the whole Iraq thing years ago and now there are more competitors than ever doing their best and proving there are musical artists throughout Europe deserving of more recognition internationally than ever. It’s a good song. We won’t win but hopefully get a decent score and anything in the top half would be good. Pessimistic I know as actually this is better than quite a few I’ve been listening to while writing this but there we go don’t want to blow your own trumpet and seem elitist.

My likely high scorers and potential winners:

Belgium, Denmark, Estonia, FRANCE, Georgia, Ireland, ITALY!!!, Moldova (my dark horse bet), NORWAY (though I hope not), PORTUGAL (if they can pull it off on the night though they’re the hosts and you would assume not want to host it two years on the trot), Serbia, SPAIN (!!!), Netherlands (following the trend of ‘the, stylistically or presentationally, stand out performance usually wins’ logic seen in past years).

The running order in the finale will be:

Each act drew in which half of the Grand Final they would perform. As host country, Portugal drew its exact starting position (8) during the Heads of Delegation meeting in March.

01. Ukraine

02. Spain

03. Slovenia

04. Lithuania

05. Austria

06. Estonia

07. Norway

08. Portugal

break position

09. United Kingdom

10. Serbia

11. Germany

12. Albania

13. France

14. Czech Republic

15. Denmark

16. Australia

break position

17. Finland

18. Bulgaria

19. Moldova

20. Sweden

21. Hungary

22. Israel

23. The Netherlands

24. Ireland

25. Cyprus

26. Italy

The running order is being decided to ensure each act has the opportunity to stand out. The producers look at the genre of music, whether a song is performed by a solo singer or group, the use of props, music tempo and various other aspects of each act.

… well Georgia, of my favourites, got knocked out before the finale. Italy are the final act so that might work against them potentially or cause them to have a landslide victory. Spain is so early it might be forgotten by the voting time. Norway is also on early and France is exactly half way through.

I’ll try to cover the finale by the end of Sunday but as I do a post about the competition each year this will be put up just in case I don’t for some reason.

Song (‘Wandering, wandering, hoping to find’) by R. S. Thomas

Wandering, wandering, hoping to find

The ring of mushrooms with the wet rind,

Cold to the touch, but bright with dew,

A green asylum from time’s range.

 

And finding instead the harsh ways

Of the ruinous wind and the clawed rain;

The storm’s hysteria in the bush;

The wind creatures and their pain.

 

by R. S. Thomas

from The Stones in the Fields (1946)

Fragment (Before Death I Have Felt The Dark Of Death) by Wilhelm Küchelbecker

Before death I have felt the dark of death;

I thought: like Ossian I shall lose my way

in mist by the grave’s edge and blindly stare

from wild moors down through the dim precipice

of dawnless night and see no trees, no fields

of freedom, no soft grass, no azure skies,

and no sun rising like a miracle.

Yet with the soul’s eye I shall see you, shades

of prophets, friends too soon flown out of sight,

and I shall hear the blessed poet’s song

and know each voice and recognize each face.

 

by Вильгельм Карлович Кюхельбекер (Wilhelm Karlovich Küchelbecker)

(1845)

translated by Peter France


 

Fun fact: This was written after he went blind about a year before his death.

Spring by Afanasy Fet

I come again with greetings new,

to tell you day is well begun;

to say the leaves are fresh with dew

and dappled in the early sun;

 

to tell you how the forest stirs

in every branch of every brake,

and what an April thirst is hers,

with every whistling bird awake;

 

to say, as yesterday, once more,

with love as passionate and true,

my heart is ready as before

for serving happiness and you;

 

to tell how over every thing

delight is blowing on the air –

I know not yet what I shall sing;

I only know the song is there.

 

by Афанасий Афанасьевич Фет (Afanasy Afanasyevich Fet)

a.k.a. Шеншин (Shenshin)

(1843)

translated by Frances Cornford and Esther Polianowsky Salaman