Кошка (Cat) by Inna Lisnianskaya

Where is your cat, walking
On its own,
Lapping the milky mist
Amid September?

Where its leopard tread,
Its phosphorescence,
Where is your cat and your truth
Where on this earth?

Where is the cat, still not found,
Where the roof and the leak in it?
Where is the hoarse speech
Broken by the speed of sound?

Where is your clairvoyant autumn
and corn-bins of dreams?
Where is your phosphorescent cat
and you yourself?

by Инна Львовна Лиснянская (Inna Lvovna Lisnyanskaya)
(1983)
from В пригороде Содома (In the Suburb of Sodom) / Вдали от Содома (Far from Sodom)
translated by Daniel Weissbort

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Кошка

Где кошка твоя, гуляющая
Сама по себе,
Молочный туман лакающая
В густом сентябре?

Где поступь её леопардовая
И фосфор во мгле,
Где кошка твоя и где правда твоя
На этой земле?

Где кошка, ещё не отловленная,
Где крыша и течь?
Где скоростью звука надломленная
Охриплая речь?

Где осень твоя ясновидческая
И снов закрома?
Где кошка твоя фосфорическая
И где ты сама?

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Additional information: Inna Lisnianskaya was the wife of Semyon Lipkin. There isn’t much about her in English so if you want to know more you may have to research her husband initially and work from there for biographical details. However one collection of her poetic works titled ‘Far from Sodom‘ is available in English should you wish to read more of her writing.


She was born in Baku and published her first collection in 1957 then moved to Moscow three years later. In 1979 she and her husband resigned from the Union of Soviet Writers in protest to the expulsion of Viktor Yerofeyev and Yevgeny Popov from it. The following seven years her works were only published abroad though from 1986 she was able to publish regularly and was awarded several important prizes.

Август (August) by Boris Pasternak

As it promised without deception
the sun burst through early in the morning
with a slanting saffron strip
from the curtain to the divan.

It covered with a hot ochre
the neighbouring forest, the houses of the village,
my bed, the damp pillow
and the edge of the wall behind the book shelf.

I remembered why
the pillow was damp.
I dreamed that you came one after
the other through the forest to see me off.

You walked in a crowd, separately and in pairs,
suddenly somebody remembered that today
is the sixth of August Old Style,
the Transfiguration of the Lord.

Usually a light without a flame
comes out on that day from Mount Tabor,
and the autumn, clear as a sign,
rivets gazes to itself.

And you went through the thin, beggarly,
naked, trembling alder thicket
into the ginger-red cemetery copse
which glowed like a honey cake.

The imposing sky neighboured
the treetops that had fallen silent,
and the distance echoed and called with the long
drawn out voices of the cocks.

In the forest like a public land surveyor
death stood in the middle of the graveyard,
looking at my dead pale face
so as to dig a grave the right length.

Everyone physically sensed
a quiet voice close by.
It was my former prophetic voice
that resounded untouched by decay.

‘Farewell, azure of the Transfiguration,
and gold of the second Salvation.
Soften with a woman’s final caress
the bitterness of my fateful hour.

Farewell, years of hardship,
we will say farewell to the woman throwing
down a challenge to the abyss of humiliation!
I am your battlefield.

Farewell, spread out sweep of the wing,
free stubbornness of flight,
and the image of the world, presented in the word,
and creation, and miracle-working.’

By Бори́с Леони́дович Пастерна́к
(Boris Leonidovich Pasternak)
(1953)
from До́ктор Жива́го
(Doctor Zhivago)
translated by Richard McKane

Additional information: The poem is featured in the novel До́ктор Жива́го (Doctor Zhivago) as if written by it’s protagonist Yuri Zhivago.

The poem read by Александр Феклистов (Aleksandr Fleklistov).

Август

Как обещало, не обманывая,
Проникло солнце утром рано
Косою полосой шафрановою
От занавеси до дивана.

Оно покрыло жаркой охрою
Соседний лес, дома поселка,
Мою постель, подушку мокрую,
И край стены за книжной полкой.

Я вспомнил, по какому поводу
Слегка увлажнена подушка.
Мне снилось, что ко мне на проводы
Шли по лесу вы друг за дружкой.

Вы шли толпою, врозь и парами,
Вдруг кто-то вспомнил, что сегодня
Шестое августа по старому,
Преображение Господне.

Обыкновенно свет без пламени
Исходит в этот день с Фавора,
И осень, ясная, как знаменье,
К себе приковывает взоры.

И вы прошли сквозь мелкий, нищенский,
Нагой, трепещущий ольшаник
В имбирно-красный лес кладбищенский,
Горевший, как печатный пряник.

С притихшими его вершинами
Соседствовало небо важно,
И голосами петушиными
Перекликалась даль протяжно.

В лесу казенной землемершею
Стояла смерть среди погоста,
Смотря в лицо мое умершее,
Чтоб вырыть яму мне по росту.

Был всеми ощутим физически
Спокойный голос чей-то рядом.
То прежний голос мой провидческий
Звучал, не тронутый распадом:

«Прощай, лазурь преображенская
И золото второго Спаса
Смягчи последней лаской женскою
Мне горечь рокового часа.

Прощайте, годы безвременщины,
Простимся, бездне унижений
Бросающая вызов женщина!
Я – поле твоего сражения.

Прощай, размах крыла расправленный,
Полета вольное упорство,
И образ мира, в слове явленный,
И творчество, и чудотворство».

1953 г.

A 1954 recording of Boris Pasternak himself reading the poem.

Мы, русские, на мифы падки… (Myth has us Russians in thrall…) by Inna Lisnianskaya

Myth has us Russians in thrall,
Whether down on our luck or high.
We are all hostages to our soul,
That wondrous entity.

We stroke the snake of history,
But however you bend our words,
We love ourselves to the point of loathing
And loathe ourselves to the point of love.

Raising our cups in a general toast,
We curse our everlasting fate for now –
What has been allotted hurts,
Like a fresh brand mark on the brow.

.

by Инна Львовна Лиснянская (Inna Lvovna Lisnyanskaya)
(2000-2001)
translated by Daniel Weissbort

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Мы, русские, на мифы падки…

Мы, русские, на мифы падки.
Хоть землю ешь, хоть спирт глуши,
Мы все — заложники загадки
Своей же собственной души.

Змею истории голубим,
Но как словами ни криви,
Себя до ненависти любим
И ненавидим до любви.

Заздравные вздымая чаши,
Клянем извечную судьбу, —
Болит избранничество наше,
Как свежее клеймо во лбу.

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Additional information: Inna Lisnianskaya was the wife of Semyon Lipkin. The above poem was written shortly after his death. There isn’t much about her in English so if you want to know more you may have to research her husband initially and work from there for biographical details. However one collection of her poetic works titled ‘Far from Sodom‘ is available in English should you wish to read more of her writing.
She was born in Baku and published her first collection in 1957 then moved to Moscow three years later. In 1979 she and her husband resigned from the Union of Soviet Writers in protest to the expulsion of Viktor Yerofeyev and Yevgeny Popov from it. The following seven years her works were only published abroad though from 1986 she was able to publish regularly and was awarded several important prizes.

Благословляю ежедневный труд… (I bless the daily labour) by Marina Tsvetaeva

I bless the daily labour of my hands,
I bless the sleep that nightly is my own.
The mercy of the Lord, the Lord’s commands,
The law of blessings and the law of stone.

My dusty purple, with its ragged seams…
My dusty staff, where all light’s rays are shed.
And also, Lord, I bless the peace
In others’ houses – others’ ovens’ bread.

by Марина Ивановна Цветаева
(Marina Ivanovna Tsvetaeva)
(21 May 1918)
from Bon-Voyages (1921-22)
translated by David McDuff

The poem recited in Russian by Anna Smirnova

Благословляю ежедневный труд

Благословляю ежедневный труд,
Благословляю еженощный сон.
Господню милость и Господень суд,
Благой закон – и каменный закон.

И пыльный пурпур свой, где столько дыр,
И пыльный посох свой, где все лучи…
– Ещё, Господь, благословляю мир
В чужом дому – и хлеб в чужой печи.

А вы могли бы? (What about You?) by Vladimir Mayakovsky

I splintered the landscape of midday

by splashing colours from a tumbler.

I charted on a tray of aspic

the slanting cheekbones of Atlantis.

Upon the scales of an iron turbot,

I found ladies’ lips, aloof.

And you, could you have played a nocturne

using a drainpipe for a flute?

.

by Владимир Владимирович Маяковский
Vladimir Vladimirovich Mayakovsky
(1913)
translation by Maria Enzensberger

Mayakovsky’s poem recited by Veniamin Borisovich Smekhov

Beneath is the original Russian version of the poem in Cyrillic.

А вы могли бы?

Я сразу смазал карту будня,
плеснувши краску из стакана;
я показал на блюде студня
косые скулы океана.
На чешуе жестяной рыбы
прочел я зовы новых губ.
А вы
ноктюрн сыграть
могли бы
на флейте водосточных труб?