Suicide on Pentwyn Bridge by Gillian Clarke

I didn't know him,
the man who jumped from the bridge.
But I saw the parabola
of long-drawn-out falling in the brown

eyes of his wife week after week
at the supermarket cash-out.
We would quietly ask "How is he?"
hear of the hospital's white

care, the corridors between her
and the broken man in the bed,
and the doctors who had no words,
no common supermarket women's talk.

Only after the funeral
I knew how he'd risen, wild
from his chair and told her
he was going out to die.

Very slowly from the first leap
he fell through winter, through the cold
of Christmas, wifely silences,
the blue scare of ambulance,

from his grave on the motorway
to the hospital, two bridges down.
A season later in a slow cortège
he has reached the ground.

by Gillian Clarke
from Letter from a Far Country (1982)

Pentwyn is a district, community and electoral ward in the east of Cardiff, Wales, located northeast of the city centre. Llanedeyrn is immediately to the south, Cyncoed to the west, Pontprennau to the north and the Rhymney River forms the eastern border.

This story of this poem is true albeit half heard from people talking about it and half learned from the local newspaper. The Pentwyn Bridge of the title carries a road over a dual carriageway in Cardiff. Asthe peom narrates a man told his terrified wife he was going out to kill himself. He jumped from the bridge and was severely injured then taken to hospital. Many months later, having never left hospital in the meantime, he finally died.

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Pre-Cambrian by R. S. Thomas

Here I think of the centuries,

six million of them, they say.

Yesterday a fine rain fell;

today the warmth has brought out the crowds.

After Christ, what? The molecules

are without redemption. My shadow

sunning itself on this stone

remembers the lava. Zeus looked down

on a brave world, but there was

no love there; the architecture

of their temples was less permanent

than these waves. Plato, Aristotle,

all those who furrow the calmness

of their foreheads are responsible

for the bomb. I am charmed here

by the serenity of the reflections

in the sea's mirror. It is a window

as well. What I need

now is a faith to enable me to out-stare

the grinning faces of the inmates of its asylum,

the failed experiments God put away.


by R. S. Thomas

from Frequencies (1978)

Nativity by R. S. Thomas

The moon is born

and a child is born,

lying among white clothes

as the moon among clouds


They both shine, but

the light from the one

is abroad in the universe

as among broken glass.


by R. S. Thomas

from Experimenting with an Amen (1986)

Hill Christmas by R. S. Thomas

They came over the snow to the bread's

pure snow, fumbled it in their huge

hands, put their lips to it

like beasts, stared into the dark chalice

where the wine shone, felt it sharp

on their tongue, shivered as at a sin

remembered, and heard love cry

momentarily in their hearts' manager.


They rose and went back to their poor

holdings, naked in the bleak light

of December. Their horizon contracted

to the one small, stone-riddled field

with its tree, where the weather was nailing

the appalled body that had not asked to be born.


by R. S. Thomas

from Laboratories of the Spirit (1975)

Countering by R. S. Thomas

Then there is the clock's

commentary, the continuing

prose that is the under-current

of all poetry. We listen

to it as, on a desert island,

men do to the subdued

music of their blood in a shell.


Then take my hand that is

of the bone the island

is made of, and looking at

me say what time it is

on love's face, for we have

no business here other than

to disprove certainties the clock knows.


by R. S. Thomas

from Experimenting with an Amen (1986)

Formula by R. S. Thomas

And for the soul

in its bone tent, refrigerating

under the nuclear winter,

no epitaph prepared


in our benumbed language

other than the equation

hanging half-mast like the after-

birth of thought: E = mc2.


by R. S. Thomas

from Experimenting with an Amen (1986)