A certain engineer made up his mind to build a giant brick wall across all of Petersburg. He thinks over how this is to be accomplished, he doesn’t sleep nights reasoning it out. Gradually a club of thinker-engineers forms and a plan for building the wall is produced. It is decided that the wall will be built during the night and in such a way that the whole thing is put up in one night, so that it would appear as a surprise to all. Workers are rounded up. The job is divided up. The city authorities are lured away, and finally the night comes when the wall is to be built. Only four people know of the building of the wall. The engineers and workers are given exact orders as to where each should go and what each should do there. Thanks to exacting calculations, they’re able to build the wall in one night. The next day Petersburg is all commotion. The inventor of the wall himself is dispondent. What this wall was good for, he himself never knew.
by Даниил Иванович Хармс (Daniil Ivanovich Kharms)
by Аполлон Николаевич Майков (Apollon Nikolayevich Maikov)
(1856)
translated by Frances Cornford and Esther Polianowsky Salaman
Fun facts: Zhuchka means ‘Bug’, as in a small insect using diminutive terminology as жучка (zhuchka) is a diminutive of жук (Zhuk). In Russian, perhaps even more so than in English even due to it’s various tonal aspects and gendered form (which if you look at the original version below clearly has alternating hard and soft line endings (though only in the first and last stanzas does it have what might be considered Pushkin verse i.e. alternating masculine and feminine lines), diminutives are used within children’s works to create a gentler tone.
This used to be the first poem that Russian children would learn due to it’s simple words and easy rhyme scheme (when in the original Russian obviously though the above translation gives a good translation of it with a little necessary artistic license due to the differences in the language). Here is a recital of the poem in Russian.
Maikov was best known for his lyric verse showcasing images of Russian villages, nature, and history. His love for ancient Greece and Rome, which he studied for much of his life, is also reflected in his works. Maikov spent four years translating the epic The Tale of Igor’s Campaign (1870) into modern Russian. He translated the folklore of Belarus, Greece, Serbia and Spain, as well as works by Heine, Adam Mickiewicz and Goethe, among others. Several of Maykov’s poems were set to music by Russian composers, among them Rimsky-Korsakov and Tchaikovsky.
Innokenty Annensky once wrote:
“a poet usually chooses their own, particular method of communication with nature, and often this sis sport. Poets of the future may be cyclists or aeronauts. Byron was a swimmer, Goethe a skater, Lermontov a rider, many others of our poets (Turgenev, both Tolstoys, Nekrasov, Fet, Yazykov) were hunters. Maikov was a passionate fisherman and this occupation was in perfect harmony with his contemplative nature, with his love for a fair, sunny day, all of which is so vividly expressed in his poetry.”
Here is the poem in it’s original form:
СЕНОКОС
Пахнет сеном над лугами…
В песне душу веселя,
Бабы с граблями рядами
Ходят, сено шевеля.
Там – сухое убирают;
Мужички его кругом
На воз вилами кидают…
Воз растет, растет, как дом.
В ожиданьи конь убогий
Точно вкопанный стоит…
Уши врозь, дугою ноги
И как будто стоя спит…
Только жучка удалая
В рыхлом сене, как в волнах,
То взлетая, то ныряя,
Скачет, лая впопыхах.