The Houses of the Valleys by Ann Hughes

Reaching out in unending lines

Houses of the valleys, all the same

In their uniform of dereliction and decay

Clinging on to the hillside, like old people

Clinging on to the old way of life.

.

Smoke rises from the chimneys

Catching the last fading sunlight

of the promising summer of plenty,

Falling soon to the sills in black sooty smuts

Where sometimes people sit and stare.

.

The empty streets echo in the silence

of tack boots on the cobblestones,

Black windows stare at me with accusation

Betrayal screams at you with her evidence

in the houses of the valleys.

.

.

By Ann Hughes (1992)

White Roses by Gillian Clarke

Outside the green velvet sitting room
white roses bloom after rain.
They hold water and sunlight
like cups of fine white china.

Within the boy who sleeps in my care
in the big chair the cold bloom
opens at terrible speed
and the splinter of ice moves

in his blood as he stirs in the chair.
Remembering me he smiles
politely, gritting his teeth
in silence on pain's red blaze.

A stick man in the ashes, his fires
die back. He is spars and springs.
He can talk again, gather
his cat to his bones. She springs

with a small cry in her throat, kneading
with diamond paws his dry
as tinder flesh. The least spark
of pain will burn him like straw.

The sun carelessly shines after rain.
The cat tracks thrushes in sweet
dark soil. And without concern
the rose outlives the child.

by Gillian Clarke
from Letter from a Far Country (1982) 

Плачущий Сад (Weeping Garden) by Boris Pasternak

 Dreadful! It drips and it listens -
 whether it's all alone in the world
 crushing a twig like lace at the window,
 or is someone watching?
 
 Palpable, though, is the pressure
 of porous earth's taut swellings,
 and far off, audible as in August,
 midnight ripens in fields.
 
 No, no sound, no witness,
 Convincing there's no one there,
 back it goes to its game of rolling
 down roofs and across gutters.
 
 I'll lift it up to my lips and listen -
 whether I'm all alone in the world,
 ready to burst out in sobs if I need to,
 or is someone watching?
 
 Silence. Not a leaf moving.
 No dot of light, just weird
 gulps and splashings about in slippers,
 the lulls full of sighs and tears.
 
 
 By  Бори́с Леони́дович Пастерна́к (Boris Leonidovich Pasternak)
 (1917)
 translated by Angela Livingstone 

A recital of the poem in Russian:

Below is the poem in it’s original Russian cyrillic form:

 
Ужасный! — Капнет и вслушается,
Все он ли один на свете
Мнет ветку в окне, как кружевце,
Или есть свидетель.

Но давится внятно от тягости
Отеков — земля ноздревая,
И слышно: далеко, как в августе,
Полуночь в полях назревает.

Ни звука. И нет соглядатаев.
В пустынности удостоверясь,
Берется за старое — скатывается
По кровле, за желоб и через.

К губам поднесу и прислушаюсь,
Все я ли один на свете, —
Готовый навзрыд при случае, —
Или есть свидетель.

Но тишь. И листок не шелохнется.
Ни признака зги, кроме жутких
Глотков и плескания в шлепанцах
И вздохов и слез в промежутке. 

Evening by R. S. Thomas

The archer with time

as his arrow – has he broken

his strings that the rainbow

is so quiet over our village?

 

Let us stand, then in the interval

of our wounding, till the silence

turn golden and love is

a moment eternally overflowing.

 

by R. S. Thomas

from No Truce With the Furies (1995)

One Day by R.S. Thomas

In that day language

shall expose its sores,

begging for the alms

we can not give. ‘Leave it’

we shall say, ‘on the pavement

of the quotidian.’ There is

a cause there is nobody

to plead, yet whose sealed lips

are its credentials. What

does the traveller to your door

ask, but that you sit down

and share with him that

for which there are no words?

I look forward to the peace

conferences of the future

when lies, hidden behind speeches,

shall have their smiles blown away

by the dove’s wings, fanning in silence.

 

by R. S. Thomas

Mass for Hard Times (1992)