Observation Post: Forward Area by Alun Lewis

The thorns are bleached and brittle,
The empty folds decay,
Rooftrees creak in the silence
Of inarticulate dismay.

Drought denudes the planting;
In the dry red heat
Dawn spills its ghostly water,
Black heads on the wheat.

Some evil presence quenches
The vagrant drunken theme
Of the swart and skinny goatherd
And the black goats of his dream.

A darker beast than poverty
Transfixed the crouching peasants there,
And tore the votive tablets down
And filled the children with such fear.

The cowdung fires guttered out,
The wizened women cried,
The bridegroom lay trembling,
And rigid the bride.

Love could be had for nothing.
And where is love now?
Gone with the shambling oxen,
Gone with the broken plough,
Death lives here now.

by Alun Lewis

Dŵr by Mike Jenkins

Clouds –
whole valleys-sides covered in berries
ripe and ready for the picking,
a steep rock-face with overgrown heather,
a flock of black sheep running
to be rounded up and sheared by the wind:
water with its roots in the sky.

Rain –
the drizzly seeds of droplets sown,
the slanting sea-strewn westerlies
which turn clothing into blotting paper,
the aching storms which gravel
into bones, making you shrink and cower.

Valleys –
scooped and scoured out by laws,
people cleared away like shanty-dwellers
bossed by bulldozers, memories
left to night-writers, to bells
tolled by feeding streams and rivers,
to drought and dereliction exposed.

Reservoirs –
acid funnels of the conifers
press down soil to stop it slipping;
to trippers they seem like mirrors,
but they balance water on scales
tapping mountains for its wealth.

Pipelines –
over the border, moving like a train
with trucks of coal, like iron and steel
liquid and molten, like the feet
of all those who had to leave
muttering ‘Money, money…’ forced
against the gradient, longing for sea.

Chemicals –
a layer of aluminium the surface sheen,
the weight of lead its depths
and those substances meant to purify
unseen in a clear glass, lurking like radiation.

Houses –
the old person whose grasp of time
runs through knotted fingers and down the drain,
children whose minds become stagnant;
families knowing when it’s cut off
water’s precious as air when they choke
on the stench of their own cack,
as germs breed with cockroaches and rats.

Dŵr –
they’ve stolen the word, those safe-lock faces,
mispronounced it ‘Door’, reinforced and vaulted
below reservoirs where they’ve counted
profits from broken bones of village walls,
from a thirst which opens mouths
in fledging questions to the clouds.

By Mike Jenkins
from This Houses, My Ghetto

Additional information: Dŵr is the Welsh word for water. The line referring to it being mispronounced as ‘door’ regards a common mistake people make when first learning how to say it if unfamiliar with Welsh pronunciation. the elongated ‘oo’ sound of dŵr is ‘oohr’ not ‘or’. To approximate the pronunciation think of the word sounding like ‘dew-er’ but don’t stress the second syllable so it becomes ‘dewr’.

Since I’m speaking about Welsh pronunciation I might as well note how amusing it is to read in every Russian-English dictionary the explanation that the Cyrillic letter ‘Ч’ “… sounds like the ‘ch’ in the Scottish word ‘loch’…” since that sound exists in the Brythonic language of Welsh e.g. Chwarae (ch-wah-rye) which means ‘play’ as in the popular Welsh phrase ‘chwarae teg‘ (teg = ‘teh-guh’) meaning ‘fair play’.

Poem in October by Dylan Thomas

It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.

My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.

A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill’s shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.

Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.

It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child’s
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels

And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.

And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart’s truth
Still be sung
On this high hill in a year’s turning.

by Dylan Thomas
(August 1944)

Dylan Thomas reciting both ‘Poem In October’ and ‘In My Craft or Sullen Art’

Additional information: One of Dylan Thomas‘ many birthday poems.

The setting of the poem is Laugharne in Carmarthenshire viewed, stanza three onwards, from St John’s Hill.

Thomas called it ‘a Laugharne poem: the first place poem I’ve written‘ (letter to Vernon Watkins, 26 August 1944).

Река текла как дождь, лежащий на боку… (The river flowed like rain, lying on its side…) by Novella Matveyeva

The river flowed like rain

Lying on its side,

And the rain fell like a vertical river.

And the bridge bobbed under like a float.

With the flood pouring over it.

It was like a sword slipping from someone’s grasp,

The water

Now shielding it, now withdrawing…

The rain finished what it had to say,

But all night the river

Carried on

Its watery talk.

Let’s call in on the night…

The burdock is soaked,

You can’t make it out in the dark, but you can touch it and recall

The prickly blue-green beaded leaf –

Eglantine reddening as though it has been bitten…

The garden

Whistles with freshness, like a thread tweaked from a canvas,

Lilac in checkerboard beds scents the air,

Jasmine glimmers palely in the mealy half-dark

Under the damp vague trees.

I shall go down to the river: has the bridge drowned yet?

Trees dispute in the dark.

Thousands of black leaves hobnob with the stars,

Like crowds of paper mannikins.

Black on black. High up in the darkness

They prance, dance, weave, fight,

Drink, tumble… But near the water

They part, like cards being dealt out.

.

by Новелла Николаевна Матвеева (Novella Nikolayevna Matveyeva)

(1965)

translated by Daniel Weissbort

.

Beneath is the original Russian Cyrillic version of the poem.

.

Река текла как дождь, лежащий на боку…

Река текла как дождь, лежащий на боку,
А дождик шел, как речка в вертикали,
И мост подныривал подобно поплавку,
Когда струи по нем перетекали.

Казалось: из руки выскальзывает меч;
Волна то прятала настил, то обнажала…
Дождь высказался, смолк, но дождевую речь
Всю ночь река вела и продолжала.

Пойти проведать ночь? Лопух водой налит.
Во мгле не разглядишь, но тронешь и припомнишь
В зубцах и в капельках зелено-синий лист –
Прикушенно-алеющий шиповник…

Сад свищет свежестью, как нитка в полотне,
Сирень ноздрится в шахматных деленьях,
Жасмин белеется в мучнистой полутьме
Из-под сырых расплывчатых деревьев.

Сойду к реке: не захлебнулся ль мост?
Деревья пререкаются во мраке,
Тьмы черных листьев трутся между звезд,
Как толпы человечков из бумаги.

Из черной же. Высоко в темноте.
Они гарцуют, пляшут, шьют, дерутся,
Пьют, валятся с коней… Но в близости к воде
Расступятся, как карты разберутся.

.

Extra information: Matveyeva was born on 7 October 1934 in Pushkin, Saint Petersburg (then Leningrad). She suffered the fate of so many war children and was brought up in children’s homes and, later, apparently spent much of her time in hospitals. She was a Russian bard, poet, writer, screenwriter, dramatist, and literary scientist. Novella was also the cousin of poet Ivan Matveyev (Elagin). Her first poetry collection, Lyrics, was published in 1961 which was the same year she was admitted to the Union of Soviet Writers. From the end of the 1950s on Matveyeva composed songs to her poetry and performed them, accompanying herself on a seven-string guitar. The element of fantasy and the dreamlike atmosphere of much of her poetry is unusual in the Soviet context. In 1998 Matveyeva received the Russian State Pushkin Prize in poetry, and in 2002, she received the Russian Federation State Prize in Literature and Arts for her poetry collection Jasmine. Matveyeva died on 4 September 2016 at the age of 81 in Moscow Oblast.

White Roses by Gillian Clarke

Outside the green velvet sitting room
white roses bloom after rain.
They hold water and sunlight
like cups of fine white china.

Within the boy who sleeps in my care
in the big chair the cold bloom
opens at terrible speed
and the splinter of ice moves

in his blood as he stirs in the chair.
Remembering me he smiles
politely, gritting his teeth
in silence on pain's red blaze.

A stick man in the ashes, his fires
die back. He is spars and springs.
He can talk again, gather
his cat to his bones. She springs

with a small cry in her throat, kneading
with diamond paws his dry
as tinder flesh. The least spark
of pain will burn him like straw.

The sun carelessly shines after rain.
The cat tracks thrushes in sweet
dark soil. And without concern
the rose outlives the child.

by Gillian Clarke
from Letter from a Far Country (1982)