The Water-Diviner by Gillian Clarke

 His fingers tell water like prayer.
He hears its voice in the silence
through fifty feet of rock
on an afternoon dumb with drought.

Under an old tin bath, a stone,
an upturned can, his copper pipe
glints with discovery. We dip our hose
deep into the dark, sucking its dryness,

till suddenly the water answers,
not the little sound we know,
but a thorough bass too deep
for the naked ear, shouts through the hose

a word we could not say, or spell, or remember,
something like “dŵr... dŵr.”


by Gillian Clarke
from Letter from a Far Country (1982)
Dŵr means 'water' in the Welsh language.

Relearning Solitude [Extract] by Boris Slutsky

Just as I once learned one ancient tongue

enough to read its texts,

and I forgot the aphabet –

I’ve forgotten solitude.

This all must be recalled, recovered, and relearned.

I remember how once I met

a compiler of words

in the ancient tongue that I had learned

and lost.

Turned out, I knew two words: ‘heavens’ and ‘apple’.

I might have recalled the rest –

All beneath the heavens and beside the apples –

But the need wasn’t there.

 

by Борис Абрамович Слуцкий (Boris Abramovich Slutsky)

(1977)

translated by Marat Grinberg and Judith Pulman

 

Interesting information: Slutsky was a atheist but he didn’t forget his cultural roots regarding not only Yiddish but also the Hebrew he had learned as a child which remained important to him even if only as deeply felt absences. He had to ‘relearn solitude’ due to the death of his wife Tanya in 1977. For the following three months, before he fell into a depressed silence for the last nine years of his life during which he wrote nothing, he produced some of the most highly regarded poems on the themes of love and mourning in the Russian language.


Летний сад (Summer Garden) by Anna Akhmatova

I want to visit the roses

In that lonely

Park where the statues remember me young

And I remember them under the water

Of the Neva. In the fragrant quiet

Between the limes of Tsarskoye I hear

A creak of masts. And the swan swims

Still, admiring its lovely

Double. And a hundred thousand steps,

Friend and enemy, enemy and friend,

Sleep. Endless is the procession of shades

Between granite vase and palace door.

There my white nights

Whisper of someone’s discreet exalted

Love. And everything is mother-

Of-pearl and jasper,

But the light’s source is a secret.

 

by Анна Ахматова (Anna Akhmatova)

(July, 1959, Leningrad)

from Седьмая книга (The Seventh Book)

translation by D. M. Thomas


Fun facts: The Summer Garden (Летний сад) occupies an island between the Fontanka, Moika, and the Swan Canal in Saint Petersburg (a.k.a. Leningrad), Russia and shares its name with the adjacent Summer Palace of Peter the Great.

Akhmatova recites her poem:

The text in the original Russian Cyrillic:

Летний сад

Я к розам хочу, в тот единственный сад,
Где лучшая в мире стоит из оград,

Где статуи помнят меня молодой,
А я их под невскою помню водой.

В душистой тиши между царственных лип
Мне мачт корабельных мерещится скрип.

И лебедь, как прежде, плывет сквозь века,
Любуясь красой своего двойника.

И замертво спят сотни тысяч шагов
Врагов и друзей, друзей и врагов.

А шествию теней не видно конца
От вазы гранитной до двери дворца.

Там шепчутся белые ночи мои
О чьей-то высокой и тайной любви.

И все перламутром и яшмой горит,
Но света источник таинственно скрыт.

‘To read only children’s tales…’ by Osip Mandelstam

To read only children’s tales

and look through a child’s eye;

to rise from grief and wave

big things goodbye.

 

Life has tired me to death;

life has no more to offer.

But I love my poor earth

since I know no other.

 

I swung in a faraway garden

on a plain plank swing;

I remember tall dark firs

in a feverish blur.

 

by Осип Эмильевич Мандельштам (Osip Emilyevich Mandelshtam. His surname is commonly latinised as Mandelstam)

(1908)

translated by Robert Chandler

The Garden by R. S. Thomas

It is a gesture against the wild,

The ungovernable sea of grass;

A place to remember love in,

To be lonely for a while;

To forget the voices of children

Calling from a locked room;

To substitute for the care

Of one querulous human

Hundreds of dumb needs.

 

It is the old kingdom of man.

Answering to their names,

Out of the soil the buds come,

The silent detonations

Of power weilded without sin.

 

by R. S. Thomas

from The Bread of Truth (1963)